emotion Tag

Artist Project Toronto

đŸ‘ŸProject H.E.A.R.T. (Holographic Empathy Attack Robotics Team)đŸ‘Ÿ (2017) made by Erin Gee in collaboration with Alex M Lee is featured as part of the Telegenic booth at Artist Project Toronto. Our booth is just left of the entrance (can’t miss it) and is part of a sponsored exhibition with six other exciting new media artists.

Much thanks to EQ Bank, Telegenic, Radiance VR, and House of VR for sponsoring and organizing the exhibit. ☠

 

Review: Akimblog, Canada

The first review for my solo exhibition To the Sooe at the MacKenzie Art Gallery is here!  To the Sooe is on view until April 19th in Regina, Canada.

“Gee delivers the output in ASMR style through role play and a sound performance that leave you both mesmerized and tingling to your core. The sterile white walls and scientific jargon of the exhibition texts should not deter you from this immersive and sensory experience. Gee’s complex communication configurations require your time, patience and an open mind.” -Alexa Heenan, Akimblog

Click here to read the full review

Canada Council for the Arts Grant

I am proud to announce that I have been awarded a research and creation grant from the Canada Council for the Arts to conduct preliminary research into an interactive installation work involving machine learning (GANs), biosensor data, 3D printed wearables, and method actors. This project is a collaboration with Sofian Audry. I’ll be sure to send you updates as they come!

We acknowledge the support of the Canada Council for the Arts.

About Canada Council for the Arts

The Canada Council for the Arts is Canada’s public arts funder, with a mandate to foster and promote the study and enjoyment of, and the production of works in, the arts. The Council champions and invests in artistic excellence through a broad range of grants, services, prizes and payments to professional Canadian artists and arts organizations. Its work ensures that excellent, vibrant and diverse art and literature engages Canadians, enriches their communities and reaches markets around the world. The Council also raises public awareness and appreciation of the arts through its communications, research and arts promotion activities. It is responsible for the Canadian Commission for UNESCO, which promotes the values and programs of UNESCO in Canada to contribute to a more peaceful, equitable and sustainable future. The Canada Council Art Bank operates art rental programs and helps further public engagement with contemporary arts.

 

 

FILE Festival SĂŁo Paolo

FILE Festival – SESI Arte Galeria

Exhibition Opening June 25, 2019

Exhibition runs from June 26 to August 11, 2019

Avenida Nossa Senhora da Penha, 2053, Ed. Findes, Santa LĂșcia, Vitoria – ES – Brazil

I am proud to present my interactive web work Laughing Web Dot Space in São Paolo, Brazil through the FILE Electronic Language International Festival. Laughing Web Dot Space is an online website for recording and listening to the laughter of survivors of sexual violence. The site does not collect any data beyond presence.

I’m encouraged that the curators invited me to show this work in the context of media art in Brazil. Currently, the President of Brazil Jair Bolsonaro is known for his anti-homophobic and misogynist statements. He has taunted woman about rape and called women tramps. Under this government, artists have been subject to death threats and intimidation, including calls to dissolve the culture department into education. I look forward to sharing the defiant laughter, hope, joy, and solidarity of Laughing Web Dot Space with the public in Brazil during this very important festival for media art.

Elektra Festival Montreal

Project H.E.A.R.T. (Holographic Empathy Attack Robotics Team) (2017), my popstar/militainment VR game mashup with an affective control interface made in collaboration with Alex M Lee, is going to be featured at the upcoming Elektra festival XX in Montreal!  Look for it this June!

 

Exhibition opening: June 7, 6pm-9pm

Exhibition Dates: June 7-15, 2019

Perte de Signal 5445 Avenue de Gaspé local #107, Montréal, QC H2T 3B2, Canada

 

Click here to check out the full programming of Elektra Festival 2019

Book: Robotic Imaginary

My robotic artwork Swarming Emotional Pianos is featured in image and text on p 131-132 of Jennifer Rhee’s newly published book: The Robotic Imaginary: The Human and the Price of Dehumanized Labor (2018, University of Minnesota Press).  The image above is just a photo of me relaxing with a coffee as I read the first few pages…

This amazing book details AI from a perspective that is driven by emotion and humanity, while referencing the work and the influence of women and poc in a way I haven’t seen before. I found myself constantly thinking: yes, yes as I read the book!

 

From the official description of the book:

The word robot—introduced in Karel Čapek’s 1920 play R.U.R.—derives from rabota, the Czech word for servitude or forced labor. A century later, the play’s dystopian themes of dehumanization and exploited labor are being played out in factories, workplaces, and battlefields. In The Robotic Imaginary, Jennifer Rhee traces the provocative and productive connections of contemporary robots in technology, film, art, and literature. Centered around the twinned processes of anthropomorphization and dehumanization, she analyzes the coevolution of cultural and technological robots and artificial intelligence, arguing that it is through the conceptualization of the human and, more important, the dehumanized that these multiple spheres affect and transform each other.

Drawing on the writings of Alan Turing, Sara Ahmed, and Arlie Russell Hochschild; such films and novels as Her and The Stepford Wives; technologies like Kismet (the pioneering “emotional robot”); and contemporary drone art, this book explores anthropomorphic paradigms in robot design and imagery in ways that often challenge the very grounds on which those paradigms operate in robotics labs and industry. From disembodied, conversational AI and its entanglement with care labor; embodied mobile robots as they intersect with domestic labor; emotional robots impacting affective labor; and armed military drones and artistic responses to drone warfare, The Robotic Imaginary ultimately reveals how the human is made knowable through the design of and discourse on humanoid robots that are, paradoxically, dehumanized.

 

Click here to view more information on the book at University of Minnesota Press

 

Behavioral Matter Workshop Centre Pompidou, Paris

March 15 – 17  2019 :
“Behavioral Matter” : Public research-creation workshop for international participants

I’ve been invited to participate in a big research-creation party at the Centre Pompidou with many fellow digital romantics, post human dreamers and hyper geeks.  I don’t have that many details beyond the fact that I’m in a group concerned with inter-species communications, and that perhaps I can collaborate with others to communicate with pigeons through my emotional biosensors, harnessing the power of our emotional bodies to simulate pigeon coos, squawks and wingflaps.

🐩

I’m excited to see the great exhibition and also to meet some interesting artist-researchers. Information below en français…

15 – 17 mars 2019 :
“Behavioral Matter” : workshop de recherche-crĂ©ation international et public

Au sein du forum du Centre Pompidou, 12 modules thématiques (machine learning, comportement de la brume, internet des objets, matérialisation de données, microbiotes, impression 4D,
),avec la participation de plus de 70 créateurs, chercheurs, étudiants et étudiants-chercheurs.
Centre Pompidou * Forum, en face de la librairie * 11h-19h
Visites organisées les 16 et 17 mars (inscription sur place), restitution publique dimanche 17 mars à 16h.

Le projet “Behavioral Matter“ est mis en place par EnsadLab, le laboratoire de recherche de l’ École nationale supĂ©rieure des Arts DĂ©coratifs
(EnsAD – UniversitĂ© PSL, dans le cadre de l’exposition #LaFabriqueduVivant (cycle Mutations/CrĂ©ations 3), avec le soutien de la Chaire « arts & sciences » de l’École polytechnique, de l’École nationale supĂ©rieure des Arts DĂ©coratifs – PSL et de la Fondation Daniel et Nina Carasso et avec le partenariat du Cluster “Matters of Activity. Image Space Material” de Humboldt State University de Berlin et du fonds PERSPEKTIVE pour l’art contemporain & l’architecture, une initiative du Bureau des arts plastiques de l’INSTITUT FRANÇAIS, soutenu par le MinistĂšre de la Culture et le Goethe-Institut.

Laughing Web Dot Space at Yards Gallery, Chicago. Photo: Micki Harris

Scapi Magazine Chicago

My interactive sound art website Laughing Web Dot Space was featured in a very thoughtful review of the Entanglements exhibition curated by Chelsea Welch and Iryne Roh of Her Environment, and on exhibit at the Yards Gallery in Chicago in January-February 2019.

“Now that we’re all agreed that harassment is no laughing matter, let’s stop by Erin Gee’s #metoo resonant Laughing Web Dot Space—a virtual “laugh-in” featuring survivors of sexual violence. Attendees were invited to don headphones and listen to an overlapping chorus of victims laughing and/or contribute (anonymously) their own laughter. The maxim “Question your laughter”  came to mind, as I thought of both the violent and cathartic valences of joining in laughter. My favorite element of this installation was the way it built in consent, in the form of a STOP button. “

-NOA/H FIELDS

 

For the full review of the show, click here

TFAP@CAA Conference NYC

Rape, Representation, and Radicality |TFAP@CAA: The Feminist Art Project Day of Panels at the Annual College Art Association Conference 2019

Feb 16, 2019 – Feb 16, 2019

New York Hilton Midtown

1335 6th Avenue
Trianon Ballroom
New York, NY 10019

Time: 8:30am – 5:30pm | This event is free and open to the public.

My interactive website Laughing Web Dot Space will be featured as part of the conversations at the Feminist Art Project Day of Panels at CAA 2019.

Digital exhibition on Instagram @rapeandrepresentation

Click here to access the symposium website for schedule and more information on presenters.

Intersectional feminist art has long dealt with the oppressions and violations stemming from colonialism, slavery, and couverture. Rape, Representation, and Radicality is a full-day symposium that will explore sex, power, and justice through intersectional art and activism, academics, and healing. The forum brings academic study, intellectual discourse, and visceral candor together to create a shared space and to demand bodily autonomy.

Rape, Representation, and Radicality will address how sexual assault has affected feminist art practices, and who has power and why. What institutional changes are needed to work towards sexual justice, and how do race and gender impact the experiences and responses within the context of contemporary feminist discourse? The hidden legacy of Women of Color, within the conversation about sexual violence, sexual empowerment, artistic praxis, and art history, must be re-contextualized and revised to be included accurately. The current cultural narrative around sexual violence necessitates re-orientation to include those who are left out of the conversation. This forum will present strategies to understand, rectify, reclaim and move forward towards healing.

Symposium Chairs: 
Christen Clifford (Independent Artist; The New School) and Jasmine Wahi (School of Visual Arts; Project for Empty Space)

Review: Canadian Art

Amber Berson wrote a thoughtful review on the occasion of Eastern Bloc’s 10th anniversary exhibition Amplification that features discussion and images of my first internet-artwork https://laughingweb.space

This exhibition meant a lot to me as an artist that has been supported by Eastern Bloc over the years not only by the fact that they have exhibited me and involved me in many projects…but also I have been enriched an supported by their fantastic programming.  I salute Eastern Bloc and wish them all the best in their next 10 years!

To read the article, click here.