Exhibitions

Dyscorpia 2.1 Online Exhibition

I was invited to contribute my video work Machine Unlearning (2020) as a part of the Dyscorpia 2.1 online exhibition

DYSCORPIA 2.1 is an online exhibition that responds to ideas of THE BODY AND TECHNOLOGY IN THE TIME OF COVID – 19 organized by Marilene Oliver at the University of Alberta.

DYSCORPIA is a project conceived and developed by a core team of researchers at the University of Alberta that came together to share their research and ideas about future of the body and technology. Together, they coined the term DYSCORPIA to describe the uncanny feeling we are increasingly subjected to as are called to relearn to use our bodies are a result of new digital technologies such as smart phones, automated cars, contemporary medical devices and digital assistants such as Siri and Alexa. This led to a series of collaborations and interdisciplinary projects that are central to the Dyscorpia exhibition.

Well Now WTF? Online Exhibition

Museums are closed. School is cancelled. The world is shut off and we’re stuck indoors. All the bread has been sold and Twitter has lost its mind. Fox News is killing off its own demographic. While everything is cancelled, why not have a show?

In spite of everything, Silicon Valet is pleased to present Well Now WTF?, an online exhibition curated by Faith Holland, Lorna Mills, and Wade Wallerstein featuring 80 artists with moving image practices opening April 4, 2020 from 8 to 10 pm EST.

URL for the exhibition: https://wellnowwtf.siliconvalet.org

With everything going on, we ask ourselves: Well Now WTF? We have no answer, but we do know how to make GIFs. We can come together and use the creative tools at our disposal to build a space for release outside of anxiety-inducing news cycles and banal social media feeds. As co-curator Lorna Mills suggests, “Why masturbate alone, when we can all be wankers together?”

Well Now WTF? is available online at wellnowwtf.siliconvalet.org. The exhibition will be free and open to the public, with a $5 suggested, pay-what-you-wish entry that gets redistributed to the artists contributing work.

The exhibition will be accompanied by essays by Wade Wallerstein and Seth Watter.

Participating artists: A Bill Miller, Ad Minoliti, Adrienne Crossman, Alex McLeod, Alice Bucknell, Alma Alloro, Andres Manniste, Anneli Goeller, Anthony Antonellis, Antonio Roberts, Ben Sang, Benjamin Gaulon, Carla Gannis, Carlos Sáez, Casey Kauffmann, Casey Reas, Cassie McQuater, Chiara Passa, Chris Collins, Cibelle Cavalli Bastos, Claudia Bitran, Claudia Hart, Clusterduck Collective, Daniel Temkin, Devin Kenny, Don Hanson, Dominic Quagliozzi, Elektra KB, Ellen.Gif, Eltons Kuns, Emilie Gervais, Erica Lapadat-Janzen, Erica Magrey, Erin Gee, Eva Papamargariti, Faith Holland, Geoffrey Pugen, Guido Segni, Hyo Myoung Kim, Ian Bruner, Jan Robert Leegte, Jenson Leonard, Jeremy Bailey, Jillian McDonald, Kamilia Kard, Laura Gillmore, Laura Hyunjhee Kim, Lauryn Siegel, Libbi Ponce, Lilly Handley, Lorna Mills, LoVid, Mara Oscar Cassiani, Mark Dorf, Mark Klink, Maurice Andresen, Maya Ben David, Molly Erin McCarthy, Molly Soda, Nicolas Sassoon, Nicole Killian, Olia Svetlanova, Olivia Ross, Pastiche Lumumba, Peter Burr, Petra Cortright, Rafia Santana, Rea Mcnamara, Rick Silva, Rita Jiménez, Ryan Kuo, Ryan Trecartin, Santa France, Sara Ludy, Sebastian Schmieg, Shawné Michaelain Holloway, Stacie Ant, Sydney Shavers, Terrell Davis, Theo Triantafyllidis, Tiare Ribeaux, Travess Smalley, Wednesday Kim, Will Pappenheimer, Yidi Tsao, Yoshi Sodeoka, and more to be announced

Media: Well Now WTF? has been discussed in The Japan Times, Canadian Art, CBC, and Art Forum

Artist Project Toronto

👾Project H.E.A.R.T. (Holographic Empathy Attack Robotics Team)👾 (2017) made by Erin Gee in collaboration with Alex M Lee is featured as part of the Telegenic booth at Artist Project Toronto. Our booth is just left of the entrance (can’t miss it) and is part of a sponsored exhibition with six other exciting new media artists.

Much thanks to EQ Bank, Telegenic, Radiance VR, and House of VR for sponsoring and organizing the exhibit. ☠️

 

Cover Story: Leader Post

I was surprised for my exhibition To the Sooe to be featured as front-page news on January 27, 2020 in the Leader Post, the leading newspaper of Regina Saskatchewan. Inside the paper you can find an interview with exhibition curator Tak Pham and I regarding my solo show at the MacKenzie Art Gallery, To the Sooe.

““Erin’s work is very, very immersive. It’s really bringing the reaction, the chemistry, the biology within your body and really bringing it outwards and put(ting) it on display,” said Tak Pham, who curated this exhibition at the MacKenzie.”

Click here to read the full article.

 

 

Solo Exhibition MacKenzie Art Gallery

From January 24-April 19 2020, my first major solo exhibition in a Canadian museum, To the Sooe, will be on view at the MacKenzie Art Gallery in Regina, Canada.

To the Sooe is curated by Tak Pham, and features a collection of my embodied technological works to date, as well as a few brand new works made especially for this exhibition including video installation Machine Unlearning (2020) and interactive biodata sound sculpture Pinch and Soothe (2020).

The exhibition has already garnered major attention from the printed press in Regina, with front page feature stories in both the Leader Post and the Prairie Dog as well as a french language interview with Radio Canada.  As part of my exhibition activities I also gave an artist talk at the University of Regina as part of their Art for Lunch speaker series on January 24, 2020.

Cover Story: Prairie Dog Magazine

“Modernity and the Age of Reason kind of championed the brain as this really important thing that defined us as human,” she adds. “I’m interested in recent scientific studies that [show] it’s not all about the brain. Our thinking process actually happens in concert with our body beyond the brain. What I’m interested in is using technology to create a culture of the body.”

“I’m interested in making a conversation about technology that doesn’t centre on intelligence but on emotion.”

– Erin Gee, excerpts from interview with Gregory Beatty

My exhibition “To the Sooe” at the MacKenzie Art Gallery is front page news in Regina’s Prairie Dog Magazine!  The Prairie Dog is Regina’s top source for what is going on in entertainment and the arts, so it is a great honor to be featured.  I also appreciate the reporting done by Gregory Beatty on this interview.  Click here to read the full article.

As a very brief aside, I want to address to the use of the words “Sound-Shaman” on the cover of this magazine.  I have never used these terms to describe my practice, as I am not currently practicing any form of spiritual faith that would qualify me to do so. These words are not my own, but were an editorial decision that I do not identify with and strongly reject.

Sound Gender Feminism Activism – Tokyo

My interactive website for survivors of sexual violence Laughing Web Dot Space will be a part of the exhibition at the SGFA Conference in Tokyo!  I am truly honoured to have been selected for this exhibition and conference, and the opportunity to spread awareness, togetherness, and healing through laughter.

SOUND::GENDER::FEMINISM::ACTIVISM – TOKYO

Chinretsukan Gallery, Tokyo University of the Arts (Tokyo, Japan)

4 & 5 October 2019

A collaboration between

Creative Research into Sound Arts Practice (CRiSAP), University of the Arts London

Graduate School of Global Arts (GA), Tokyo University of the Arts

FILE Festival São Paolo

FILE Festival – SESI Arte Galeria

Exhibition Opening June 25, 2019

Exhibition runs from June 26 to August 11, 2019

Avenida Nossa Senhora da Penha, 2053, Ed. Findes, Santa Lúcia, Vitoria – ES – Brazil

I am proud to present my interactive web work Laughing Web Dot Space in São Paolo, Brazil through the FILE Electronic Language International Festival. Laughing Web Dot Space is an online website for recording and listening to the laughter of survivors of sexual violence. The site does not collect any data beyond presence.

I’m encouraged that the curators invited me to show this work in the context of media art in Brazil. Currently, the President of Brazil Jair Bolsonaro is known for his anti-homophobic and misogynist statements. He has taunted woman about rape and called women tramps. Under this government, artists have been subject to death threats and intimidation, including calls to dissolve the culture department into education. I look forward to sharing the defiant laughter, hope, joy, and solidarity of Laughing Web Dot Space with the public in Brazil during this very important festival for media art.

Elektra Festival Montreal

Project H.E.A.R.T. (Holographic Empathy Attack Robotics Team) (2017), my popstar/militainment VR game mashup with an affective control interface made in collaboration with Alex M Lee, is going to be featured at the upcoming Elektra festival XX in Montreal!  Look for it this June!

 

Exhibition opening: June 7, 6pm-9pm

Exhibition Dates: June 7-15, 2019

Perte de Signal 5445 Avenue de Gaspé local #107, Montréal, QC H2T 3B2, Canada

 

Click here to check out the full programming of Elektra Festival 2019

Printemps Numerique Montreal

Musee McCord/ McCord Museum – 690 Sherbrooke St W, Montreal, QC H3A 1E9, Canada

Wednesday May 29 – Sunday June 2

Curated by Erandy Vergara

Artists: Sofian Audry, Mara Eagle, Erin Gee, Julia Zamboni

 

to the sooe (2018), my revocalized machine learning sound artwork inspired by ASMR made in collaboration with Sofian Audry, is featured in exhibition at the McCord Museum as part of Printemps Numèrique in Montreal.

Click here to learn more about the exhibition including details on the works by the other artists in the show.