Exhibitions

FILE Festival São Paolo

FILE Festival – SESI Arte Galeria

Exhibition Opening June 25, 2019

Exhibition runs from June 26 to August 11, 2019

Avenida Nossa Senhora da Penha, 2053, Ed. Findes, Santa Lúcia, Vitoria – ES – Brazil

I am proud to present my interactive web work Laughing Web Dot Space in São Paolo, Brazil through the FILE Electronic Language International Festival. Laughing Web Dot Space is an online website for recording and listening to the laughter of survivors of sexual violence. The site does not collect any data beyond presence.

I’m encouraged that the curators invited me to show this work in the context of media art in Brazil. Currently, the President of Brazil Jair Bolsonaro is known for his anti-homophobic and misogynist statements. He has taunted woman about rape and called women tramps. Under this government, artists have been subject to death threats and intimidation, including calls to dissolve the culture department into education. I look forward to sharing the defiant laughter, hope, joy, and solidarity of Laughing Web Dot Space with the public in Brazil during this very important festival for media art.

Elektra Festival Montreal

Project H.E.A.R.T. (Holographic Empathy Attack Robotics Team) (2017), my popstar/militainment VR game mashup with an affective control interface made in collaboration with Alex M Lee, is going to be featured at the upcoming Elektra festival XX in Montreal!  Look for it this June!

 

Exhibition opening: June 7, 6pm-9pm

Exhibition Dates: June 7-15, 2019

Perte de Signal 5445 Avenue de Gaspé local #107, Montréal, QC H2T 3B2, Canada

 

Click here to check out the full programming of Elektra Festival 2019

Printemps Numerique Montreal

Musee McCord/ McCord Museum – 690 Sherbrooke St W, Montreal, QC H3A 1E9, Canada

Wednesday May 29 – Sunday June 2

Curated by Erandy Vergara

Artists: Sofian Audry, Mara Eagle, Erin Gee, Julia Zamboni

 

to the sooe (2018), my revocalized machine learning sound artwork inspired by ASMR made in collaboration with Sofian Audry, is featured in exhibition at the McCord Museum as part of Printemps Numèrique in Montreal.

Click here to learn more about the exhibition including details on the works by the other artists in the show.

 

 

Cluster Festival Winnipeg Canada

Cluster Festival: Winnipeg’s most dynamic take on contemporary art and sound.

Cluster X : Feb. 28 – Mar. 3, 2019

Great news: I’m going to Winnipeg for the first time!  As a proud Canadian hailing from the prairie provinces, I have always wanted to get to know the experimental art and music scene there. In March I’m going to be at the 10th edition of Cluster Festival, I’ll be featured almost every day all weekend! Whether it is a talk on my practice, a public discussion about diversity in music with an amazing bunch of musicians and composers, the Canadian debut of my newest biohardwares installation pinch and soothe, and a new version of Machine Unlearning (2019) where I will sweetly whisper an unraveling version of Wuthering Heighs into your wireless headphone-d ears as a means of giving you neural stimulation and language de processing treatment. It’s all about sound and body-hacking and the festival looks amazing. See you there! For more information  www.clusterfestival.com

Cluster Festival X 2019 Promo from Cluster Festival on Vimeo.

CLUSTER 2019 ARTISTS

Andrea Robers • Beast Nest • Davis Plett • Erin Gee • Eliot Britton • Luke Nickel • Grace Hrabi • Hong Kong Exile • Kristen Wachniak • Maksym Chupov-Ryabtsev • Matt Poon • Mirror Frame • Natalie Tin Yin Gan • Remy Siu • Sharmi Basu • Susan Britton •TAK • Vicky Chow • William Kuo • XIE

TFAP@CAA Conference NYC

Rape, Representation, and Radicality |TFAP@CAA: The Feminist Art Project Day of Panels at the Annual College Art Association Conference 2019

Feb 16, 2019 – Feb 16, 2019

New York Hilton Midtown

1335 6th Avenue
Trianon Ballroom
New York, NY 10019

Time: 8:30am – 5:30pm | This event is free and open to the public.

My interactive website Laughing Web Dot Space will be featured as part of the conversations at the Feminist Art Project Day of Panels at CAA 2019.

Digital exhibition on Instagram @rapeandrepresentation

Click here to access the symposium website for schedule and more information on presenters.

Intersectional feminist art has long dealt with the oppressions and violations stemming from colonialism, slavery, and couverture. Rape, Representation, and Radicality is a full-day symposium that will explore sex, power, and justice through intersectional art and activism, academics, and healing. The forum brings academic study, intellectual discourse, and visceral candor together to create a shared space and to demand bodily autonomy.

Rape, Representation, and Radicality will address how sexual assault has affected feminist art practices, and who has power and why. What institutional changes are needed to work towards sexual justice, and how do race and gender impact the experiences and responses within the context of contemporary feminist discourse? The hidden legacy of Women of Color, within the conversation about sexual violence, sexual empowerment, artistic praxis, and art history, must be re-contextualized and revised to be included accurately. The current cultural narrative around sexual violence necessitates re-orientation to include those who are left out of the conversation. This forum will present strategies to understand, rectify, reclaim and move forward towards healing.

Symposium Chairs: 
Christen Clifford (Independent Artist; The New School) and Jasmine Wahi (School of Visual Arts; Project for Empty Space)

Entanglements Exhibition Chicago

Laughing Web Dot Space is featured in Entanglements Exhibition curated by Her Environment

Saturday – 1/26 through Friday 2/15

Yards Gallery, 2028 S Canalport Ave
Chicago, IL 60616
www.theyardsgallery.com @theyardsgallery

Click here for Facebook Event Page for the Opening

Entanglements challenges both the logical and emotional connections between us and our technology. The tensions that surface from these dynamics are often all encompassing; they seep deeply into every aspect of the human condition. Through accepting that technology is an integral part of our lives, we explore what it means to have a relationship with it.

This show is a collaboration between the curators and the artists in which we create a space where electronics, wires, and artworks are deliberately installed to visualize the complexities and closeness of the human/technology relationship. We are reminded of the global connection that technology can bring with works such as Erin Gee’s “Laughing Web Dot Space” website where visitors are invited to record their laughter and join in with a chorus of other laughs belonging to other survivors of sexual violence. Jen Kutler also uses the power of human connection as her piece “The Other” is a polyphonic textural synthesizer driven by skin contact between two people. The system is able to recognize very subtle changes in pressure and movement, so when two people touch fingertips what comes out of the speaker is a synthesis of physical connection.

The show also explores the very complicated ways in which there is a mutual balance of power and reveals the ways in which the power of destruction can hide beneath the surface of the interface. With works such as Snow Xu’s “Perfecthuman Harasser,” a machine that catcalls human passersby, we see that because we humans are the creators of the machines, our biases show up in the development of technology and can cause more harm on groups that already experience social disadvantages.

Through the dynamic conversations of all of the pieces we invite the visitors to take an experiential walk through our take of contemporary relationships with technology.

Please join Her Environment at Yards for the opening reception of Entanglements on Saturday, Jan. 26 at 7pm-11pm.

Artists:
Anxious to Make (SF and LA)
Erin Gee (Montreal)
Hannah Newman (Portland)
Snow Xu (Chicago)
Madeeha Lamoreaux (Chicago)
Sara Goodman and Sasha Tycko (Chicago)
Jen Kutler (New York)

Eastern Bloc Montreal

Eastern Bloc

7240 Clark, Montreal

October 3-26, 2018

GALLERY HOURS

  • Wed to Fri | 16.00 – 19.00
  • Sat – Sun | 13.00 – 17.00

Curators: Martín Rodríguez (Co-Director) & Éliane Ellbogen (Former Artistic Director and Founder of Eastern Bloc)

“Amplification”, in its figurative and literal sense, is the act of making something more marked or enhanced, on the one hand, and the process of increasing the amplitude of an electrical signal, on the other. Amplification of both artists’ careers and art practices is what Eastern Bloc strives towards in its programming. It is what prompted the centre to curate a retrospective exhibit featuring the work of artists with whom we have closely collaborated over the past ten years, who are not so emerging anymore, but who inspire us to continue amplifying the work of younger, more emerging artists.

The artists exhibited in “Amplification” form an important part of the digital arts landscape in Canada. Many of them exhibited in group or solo shows for the first time at Eastern Bloc, while others were presented by the centre at a formative stage in their career. They have all, over the past decade, developed a strong bond with the centre and have contributed to strengthening and “amplifying” the community of Canadian and international digital artists.

The exhibiting artists were invited to create a work inspired by the work of ten pioneering Canadian New Media artists.

Erin Gee created work inspired by Cheryl L’hirondelle; Darsha Hewitt by Doug Back; Sofian Audry by Monty Cantsin?; Craig Fahner and Matthew Waddell by Catherine Richards; Adam Basanta by Janet Cardiff and George Bures Miller; Jennifer Chan by Emily Vey Duke and Cooper Battersby; Sabrina Ratté and Roger Tellier-Craig by Jean-Pierre Boyer; and Erin Sexton by Michael Snow. Eleven emerging and mid-career artists have, as such, created a body of work that represents a “living archive” of Eastern Bloc. The work exhibited in Amplification delves into and revises the history of New Media art in Canada, as seen through the perspective of a new generation of Canadian artists. Amplification is Eastern Bloc’s contribution to the past, present, and future of digital arts in Montreal and in Canada.

NRW Forum Dusseldorf

My collaborative work with Sofian Audry, of the soone (2018) will be featured in an exciting exhibition at NRW Forum focused on contemporary art and AI, curated by Tina Sauerländer (peer to space).

Artists: Nora Al-Badri & Jan Nikolai Nelles (DE), Jonas Blume (DE) Justine Emard (FR), Carla Gannis (US), Sofian Audrey and Erin Gee (CAN), Liat Grayver (ISR/DE), Faith Holland (US), Tuomas A. Laitinen (FI), and William Latham (UK)

Initiated and hosted by Leoni Spiekermann (ARTGATE Consulting)
Curated by Tina Sauerlaender and Peggy Schoenegge
At NRW Forum Düsseldorf,  Ehrenhof 2, 40479 Düsseldorf, Germany

Preview: May 25 – 27, 2018, during Meta Marathon (Tickets/Apply)
Opening: June 8, 2018, 7pm

Exhibition: June 9 – August 19, 2018

We are particularly excited for this exhibition because we will debut a 3D printed enclosure for the work made especially by Gregory Perrin, who has previously worked with me on the sensor box for Project H.E.A.R.T. (2017) as well as an amazing box for installation of Swarming Emotional Pianos (2015).

NRW Forum website 

peer to space website

Digifest Toronto

Thu, 04/26/2018 –
Sat, 04/28/2018

CORUS QUAY

25 Dockside Dr
ON M5A 1B6 Toronto


Presented by the Goethe-Institut Toronto
Curated by Tina Sauerländer (Berlin) and Erandy Vergara (Montreal)

Project H.E.A.R.T. by Erin Gee and Alex M. Lee
Enter Me Tonight by Li Alin
 
At the invitation of the Goethe-Institut curators Tina Sauerländer and Erandy Vergara have selected VR works for this year’s Toronto Digifest, including two recent pieces by Berlin-based Canadian artist Li Alin and Montreal-based artist Erin Gee in collaboration with South Korean-born, US-based artist Alex M. Lee. The artists use humor and irony to engage in controversial topics: emotions in first-person shooter video games and war in the case of Gee, and a futuristic exploration on human reproduction in technology-oriented times in the case of Alin.

The audience itself explores Gee’s H.E.A.R.T., a virtual work where you have to control your emotions to control the leading character in a war-related VR game, as well as Alin’s Enter Me Tonight, a VR environment engaged with issues on human reproduction, economy, biology, pornography and technology.

In a contextualizing event, the curators will speak about the history of VR and current trends and critical perspectives on this technology.

Digifest 2018 website

Event information courtesy of Goethe Institute