News

Locus Sonus Residency France

I will be developing a new work for VR in the context of a residency at Locus Sonus in Aix-en-Provence starting February 2018 until May 2018.  During these three months I will push the potential of sonified biodata into increasingly posthumanist/non-anthropomorphic territories using virtual architectures as sensorial training ground, as inspired by materialist philosophers such as Jane Bennett and post-humanist Rosi Braidotti.

About Locus Sonus

Locus Sonus is a research group attached to ESAAix (École supérieure d’art d’Aix-en-Provence) and the French Ministry for Culture, integrated with PRISM (Perception, Representations, Image, Sound, Music) an interdisciplinary research unit that groups researchers from AMU (Aix Marseille University), CNRS (National Center for Scientific Research) as well as ESAAix.

Locus Sonus’ main aim is to explore the continuously evolving relationship between sound, place and usage in an Art/Science tradition. The research methodology includes experimentation with emerging audio technologies particularly those relating to sound transmission, mobilization or spatialisation as well as historical contextualisation of such practices. Locus Sonus accommodates practice-based PhD students enrolled at Aix-Marseille University (« Pratiques et théorie de la création artistique et littéraire » E.D 354).

Locus Sonus’ main field of investigation is entitled New Auditoriums, to be understood here as the different ways in which audiences collectively share a listening experience. Beyond physical spaces such as concert halls or open-air stages, we attribute this description to all systems that enable a shared audio experience. Examples include radio, audio streaming or virtual worlds. We consider that each system has particular (audio and social) qualities that call for artistic enquiry and experimentation, these may in turn lead to different types of artistic practice.

Locus Sonus’ current research focuses on audio in virtual environments (for example New Atlantis) and the transmission and perception of remote soundscapes (for example : Locustream).

About the project

In this project I propose virtual space and spoken word as a means of creating a “speculative” materialism that promotes empathy to (virtual) objects by allowing the viewer to objectify and analyze their own (biodata), making material of the human body itself. I’m interested in exploring the limits of virtual physicality and phenomenological experience through imaginative sonic narrative as well as virtual space, making use of simple 3D objects and architectures dramatically lit, referenced imaginatively through the five senses by the unseen narrative voice in order to maintain the focus on sound: the disconnect between virtual material and sonic suggestion forms a useful perceptual noise (for example, the voice writes on a notepad that is never seen, the sounds of a lab or examination room can fade in and out, lab is never seen). During this residency I would record the spoken word sections inspired by roleplay, personal attention and spoken narrative vocalizations typical to the genre of Autonomous Sensory Meridian Response (ASMR), a style of sound composition developed largely on the internet that focuses on high frequency noises to create intense feelings of relaxation accompanied by “tingles” felt on the skin. ASMR enthusiasts focus intensely on the physiological reaction of the listener to sound, and so I want to use this voice as a means of loosely describing material agencies of virtual objects as imperative to the expansion of human sensorium. The link between physiological and phenomenological experience and confirmed biofeedback pushes the physical potential of VR into new sonic territories that focus on embodied experience through perceptions of external as well as internal spaces.

Other Residents

I am excited to be working alongside the other residents at Locus Sonus, and learning more about their projects and practices.

raadio caargo (Christophe Aslanian et Aurélia Nardini)

Mitchell Herrmann

Review: Canadian Art

Amber Berson wrote a thoughtful review on the occasion of Eastern Bloc’s 10th anniversary exhibition Amplification that features discussion and images of my first internet-artwork https://laughingweb.space

This exhibition meant a lot to me as an artist that has been supported by Eastern Bloc over the years not only by the fact that they have exhibited me and involved me in many projects…but also I have been enriched an supported by their fantastic programming.  I salute Eastern Bloc and wish them all the best in their next 10 years!

To read the article, click here.

Immerse(d) Phi Centre Montreal

Immerse(d): Music x Health x Technology – Montreal Edition

A global event series dedicated to the positive impact of sound and music.

Participants get intimate contact with artists, scientists and practitioners working with the physical and therapeutic aspects of sound. Following a day exploring studios, installations and discussions, the event concludes with world-class audio-visual performances.

Sound is energy. Music is universal. Bass is foundational.

$10 – Day Pass 15h-20h
$20 – Evening Performances 20h -23h
$25 – Day/Night Passport 15h – 23h

Limited space available.
https://www.projectimmersed.org/montreal
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❚ Panels & Conversation ❚

15h00 | The body-interface: Perception through biology, psychology and cultural formation

Suzanne Kite | Initiative for Indigenous Futures, Concordia University | CA
Erin Gee | Perte de Signal | CA
Taymoore Balbaa | Ryerson University | SUBPAC | CA
Moderated by Zoë De Luca | McGill University | CA

Eastern Bloc Montreal

Eastern Bloc

7240 Clark, Montreal

October 3-26, 2018

GALLERY HOURS

  • Wed to Fri | 16.00 – 19.00
  • Sat – Sun | 13.00 – 17.00

Curators: Martín Rodríguez (Co-Director) & Éliane Ellbogen (Former Artistic Director and Founder of Eastern Bloc)

“Amplification”, in its figurative and literal sense, is the act of making something more marked or enhanced, on the one hand, and the process of increasing the amplitude of an electrical signal, on the other. Amplification of both artists’ careers and art practices is what Eastern Bloc strives towards in its programming. It is what prompted the centre to curate a retrospective exhibit featuring the work of artists with whom we have closely collaborated over the past ten years, who are not so emerging anymore, but who inspire us to continue amplifying the work of younger, more emerging artists.

The artists exhibited in “Amplification” form an important part of the digital arts landscape in Canada. Many of them exhibited in group or solo shows for the first time at Eastern Bloc, while others were presented by the centre at a formative stage in their career. They have all, over the past decade, developed a strong bond with the centre and have contributed to strengthening and “amplifying” the community of Canadian and international digital artists.

The exhibiting artists were invited to create a work inspired by the work of ten pioneering Canadian New Media artists.

Erin Gee created work inspired by Cheryl L’hirondelle; Darsha Hewitt by Doug Back; Sofian Audry by Monty Cantsin?; Craig Fahner and Matthew Waddell by Catherine Richards; Adam Basanta by Janet Cardiff and George Bures Miller; Jennifer Chan by Emily Vey Duke and Cooper Battersby; Sabrina Ratté and Roger Tellier-Craig by Jean-Pierre Boyer; and Erin Sexton by Michael Snow. Eleven emerging and mid-career artists have, as such, created a body of work that represents a “living archive” of Eastern Bloc. The work exhibited in Amplification delves into and revises the history of New Media art in Canada, as seen through the perspective of a new generation of Canadian artists. Amplification is Eastern Bloc’s contribution to the past, present, and future of digital arts in Montreal and in Canada.

Machine Unlearning @ META MARATHON Düsseldorf

I will be performing (and live streaming) a new audio performance work that features myself in a live ASMR re-performance of deep learning text.  The work will be accessed through a streaming YouTube link via the distributed screens of audience member’s smartphones and laptops for a half hour via headphones in a quiet environment where blankets and sleeping are invited as part of the work.  This performance will take place as part of META MARATHON at NRW Forum, Düsseldorf, Germany on May 26, 2018.

NEW TECHNOLOGY FESTIVAL META MARATHON AT THE NRW-FORUM DÜSSELDORF

42 hours of non-stop talks, performances, film screenings, concerts, exhibitions, and workshops on the subject of Artificial Intelligence: the META Marathon is a new technology festival taking place from 25th to 27th May 2018 at the NRW Forum Düsseldorf. The participants design the festival themselves, switch roles between expert and amateur as well as experiment with the new format—including on-site accommodation. The Festival Director is the futurist and entrepreneur Christopher Peterka.

An innovative technology festival and a digital happening: META is an invitation to participants to collaborate in an open process and collectively develop new ideas on digital modernity and Artificial Intelligence. In doing so, META breaks away from the series of digital conferences and exhibitions that talk about phenomena more than being part of them.

META follows from the assumption that the changes made by digital technologies are so radical that they require new kinds of research and understanding. The participants are invited to work together in a 42-hour marathon packed with stimulating events—in workshops, labs, and talks with sometimes radical exploratory methods—and have the opportunity to spend the night at the NRW Forum.

Those wishing to participate must apply in advance at https://www.metamarathon.net/. The cost of taking part is 42€, which includes food and a sleeping place, and there is space for a total of 400 curious pioneers. Some of those who have already registered are creatives and thinkers from the realms of research, teaching, economics, art and culture, including artist and composer Erin Gee, professor and curator Joasia Krysa, artist and professor Hans Bernhard (Uebermorgen. com), Professor Chris Geiger, nyris founder Anna Lukasson-Herzig, and many more.

What will language look like in the future and how will we use it? How is digital media changing communication? What are the most important skills when machines and Artificial Intelligence are capable of performing human work? How do we perceive and communicate with each other in a world determined by the flow of information and data? Based on the historical agenda of the Macy Conferences, META addresses the issues of memory and storage, language, communication, and learning and perception. The Macy Conferences were ten interdisciplinary conferences that took place between 1946 and 1953 in the United States. It was a hitherto unprecedented open experimental arrangement in which scientists of various disciplines such as neurophysiology, mathematics, psychology, and sociology worked out the basics of cybernetics and cognitive science.

With its novel format, META would like to go beyond the concept of a conference and be a discursive space in which digital modernity and its radical social changes can be explored and described in a festival setting. Contributors should bring their own questions and theories and be prepared to let themes develop on the spot as well as engage in open dialogue between people, disciplines, and machines. The outcome is open and applications will be accepted immediately.

To find more detailed information about the program and to apply visit: https://www.metamarathon.net/

META Marathon
25-27.5.2018

Starts: 25.5, 21:59
Ends: 27.5, 9.30

NRW-Forum Düsseldorf | Ehrenhof 2 | 40479 Düsseldorf

Press Contakt | Irit Bahle | Phone: +49 (0)211-89266-81 | presse@nrw-forum.de

For more information, or to register for the event, visit the META MARATHON website

esse magazine spring 2018

My work Swarming Emotional Pianos is featured in an essay written by Lindsay Leblanc in esse magazine 93 – Printemps / été 2018. The essay also features two media artists that I respect very much, David Rokeby and Jean-Pierre Gauthier.

Following is an abstract:

Sketchy Machines: Propositions Around Three Robotic Artworks

With the increasing presence of machines in public and private life, we continue to find new ways of articulating our relationships with them. In this article, the author uses the sketch as a frame of analysis for machine artworks by Canadian artists David Rokeby, Jean-Pierre Gauthier, and Erin Gee, and argues that the sketch is a fundamentally interdisciplinary and material state that accounts for machines’ complex engagements with human and other-than-human agents. Highlighting the sketch’s unfinished, imperfect, and adaptable qualities, the author attempts to define a “sketchy materiality” as it occurs in robotic art.
Lindsay LeBlanc

To learn more, or to purchase this magazine as a digital PDF  –
http://esse.ca/en/sketch

NRW Forum Dusseldorf

My collaborative work with Sofian Audry, of the soone (2018) will be featured in an exciting exhibition at NRW Forum focused on contemporary art and AI, curated by Tina Sauerländer (peer to space).

Artists: Nora Al-Badri & Jan Nikolai Nelles (DE), Jonas Blume (DE) Justine Emard (FR), Carla Gannis (US), Sofian Audrey and Erin Gee (CAN), Liat Grayver (ISR/DE), Faith Holland (US), Tuomas A. Laitinen (FI), and William Latham (UK)

Initiated and hosted by Leoni Spiekermann (ARTGATE Consulting)
Curated by Tina Sauerlaender and Peggy Schoenegge
At NRW Forum Düsseldorf,  Ehrenhof 2, 40479 Düsseldorf, Germany

Preview: May 25 – 27, 2018, during Meta Marathon (Tickets/Apply)
Opening: June 8, 2018, 7pm

Exhibition: June 9 – August 19, 2018

We are particularly excited for this exhibition because we will debut a 3D printed enclosure for the work made especially by Gregory Perrin, who has previously worked with me on the sensor box for Project H.E.A.R.T. (2017) as well as an amazing box for installation of Swarming Emotional Pianos (2015).

NRW Forum website 

peer to space website

Algorithms that Matter @ IEM Graz

I’ve been selected to be a featured artist in residence at the Institut für Elektronische Musik und Akustik (IEM) in Graz, Austria, participating in the Algorithms that Matter Residency from April-June 2018.

From the ALMAT website:

“Algorithms that Matter is an artistic research project by Hanns Holger Rutz and David Pirrò.  It aims at understanding the increasing influence of algorithms, translating them into aesthetic positions in sound, building a new perspective on algorithm agency by subjecting the realm of algorithms to experimentation.

Almat is grounded in the idea that algorithms are agents that co-determine the boundary between an artistic machine or “apparatus” and the object produced through this machine. The central question is: How do algorithmic processes emerge and structure the praxis of experimental computer music? The hypothesis is that these processes, instead of being separated from the composer—as generators and transformers of infinite shapes—exhibit a specific force that retroacts and changes the very praxis of composition and performance.”

 

I will use this opportunity to extend my reach into exciting new forms of embodied algorithmicity, developing new techniques for combining physiological markers of emotion with algorithmic agencies.

To learn more about the research and proceedings of this residency, check out scans of my sketchbook, and transcriptions of conversations between myself and the other residents/researchers at IEM, click here to access our open exposition on the Research Catalogue online platform.

 

We acknowledge the support of the Canada Council for the Arts, which last year invested $153 million to bring the arts to Canadians throughout the country.

Nous remercions le Conseil des arts du Canada de son soutien. L’an dernier, le Conseil a investi 153 millions de dollars pour mettre de l’art dans la vie des Canadiennes et des Canadiens de tout le pays.