News

Noviembre Electrónico – Argentina

November 24-28, 2020
To the Farther (2020) ASMRtronica sound work is featured as part of Noviembre Electrónico in Buenos Aires, Argentina as part of a showcase of artistic work from the 2020 cohort of Amplify D.A.I.

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ABOUT THE EVENT

November Electrónico is the main event for digital and electronic culture in the City of Buenos Aires, which crosses art and science with the alternative world of video games, virtual and augmented reality, and electronic and expanded music.

In this ninth edition, more than 200 artists, developers, researchers and scientists will propose workshops, exhibitions, concerts, workshops, performances, keynote talks, conferences, screenings and many more experiences.

All activities are free and those of a virtual nature will be available at www.noviembreelectronico.elculturalsanmartin.org and at Vivamos Cultura. On the other hand, face-to-face activities in the open air can be enjoyed in the Plaza seca and in the Plaza de las Américas of El Cultural (Sarmiento 1551) from Thursday 26 to Saturday 28, between 6:00 p.m. and 10:00 p.m., and require prior registration as indicated in the health protocol.

Each Electronic November is a path towards the convergence between culture, science and technology, which expresses the innovative identity of El Cultural San Martín and explores the construction of new audiences.

Since 2012, more than 130 thousand visitors have shared samples, workshops, performances and all kinds of interactive activities, with virtual and augmented reality, electronic music, visualizations and mapping, robots, video games, digital and 3D manufacturing, drones and programming languages.

November Electrónico has the support of the Ministry of Culture of the City of Buenos Aires, the Fundación Banco Ciudad, Fundación Williams, Empower Communities, Cultural Participation Patronage, the British Council, the French Institute, Pro-Helvetia, the Galileo Galilei Planetarium, Centro of Experimentation and Research in Electronic Arts – IIAC – National University of Tres de Febrero, Understanding Visual Music – UVM, National University of San Martín, Object a, FUNDAV.

Somerset House – Amplify Residency

From November 24-28, 2020 I have been invited to participate in a special 1-week online residency with other participants of the Amplify D.A.I. program hosted by Somerset House (London, UK). During the 1-week residency I will attend workshops, artist talks and present my work with other participants of the 2020 Amplify Digital Arts Initiative (D.A.I.) cohort. Amplify connects and empowers an active network of women-identifying artists and professionals working in the digital arts, sound and immersive storytelling sectors in Canada, Latin America and the UK.

ONLINE EXHIBITION PROGRAMME
DIGITAL INSTALLATIONS AND FILMS ONLINE | 24 NOV – 20 DEC
Contributing Artists: Debby Friday, Edy Fung, Erin Gee, Frances Adair Mckenzie, Heather Lander, Kathy Hinde, Libby Heaney, Lila Tirando a Violeta, Sahar Homami, Sol Rezza, Tatiana Heuman and Vicky Clarke

PERFORMANCES | 26 NOV | 19.30-23.00
Candie, GLOR1A, Obuxum, Ouri and Whisky with Flor De Fuego

PRESENTATIONS & DISCUSSION | 27 NOV | 17.00 – 18.30
How do we create art in a time of crisis?
Contributing Artists: Chloe Alexandra-Thompson, Efe Ce Ele, GLOR1A & Sonya Stefan
Moderator: Patti Schmidt

In partnership with British Council and MUTEK. Canadian Amplify artists are supported by the British Council and the Canada Council for the Arts.

Imagined Futures Festival: Warsaw

Digital Cultures Festival: October 17-25, 2020

of the soone (2018) made in collaboration with Sofian Audry, is featured amongst six other audio works as part of the Digital Cultures Festival in Warsaw, Poland. Organized by the Adam Mickiewicz Institute, the Digital Cultures Festival acts as an international platform for meetings between digital culture professionals and enthusiasts.

Audio Programme curated by Joseph Cutts featuring work by:

Rebekah Ubuntu
Karolina Bregula
Zorka Wollny
Katarzyna Krakowiak
Erin Gee & Sofian Audry

A programme of six provocative audio artworks from Polish and international artists that act as a users guide, with tools for support in your routine setup. This collection of artworks will entail field recordings, forms of ASMR, as well as meditation and direct methods of engagement. It will challenge the notions of what it means to be given guidance by something “or someone” or a release from the monotony of the current day-to-day conventional series of events.

A programme aimed at being tailored to the user’s personal needs, whether in a solitary state indoors or experiencing the sensations of the outdoors in tranquility.

Click here to access the festival’s website: https://digitalcultures.pl

ISEA 2020 Online

Join us Thursday October 15th at 10:15EST for Paper Presentations session 5 – MATTERS MATTERING: COLLECTIVE INTERACTIONS AND PLAY as part of ISEA 2020 online.

The program is as follows:

Data, Sense, Resonance: An Art of Diabetic Self-Tracking – Samuel Thulin [CA]

Playing with Emotions: Biosignal-based Control in Virtual Reality Game Project H.E.A.R.T. – Erin Gee / Sofian Audry [CA] / Alex Lee [US]

Beyond the turn and towards the event: analyzing the curatorial as a material-discursive practice – Renata Azevedo Moreira [CA]

Reclaiming and Commemorating Difficult Felt Experiences – Aisling Kelliher [US]

Discussion with Session Chair Jonah Brucker-Cohen [US]

During this presentation I will speak about the integration of physiological data into my VR game Project H.E.A.R.T. as a means of inserting physicality into the algorithms that govern the behaviour of in-game agents.

LEV festival Matadero

My interactive biodata-driven VR work Project H.E.A.R.T. made in collaboration with Alex M Lee will be on view at LEV festival  Matadero in Madrid, Spain from September 24-27, 2020.

 

project heart mousepad preview

ABOUT LEV

L.E.V. (Laboratorio de Electrónica Visual) is a platform specialized in the production and promotion of electronic sound creations, and its relationship with visual arts. It was a European pioneer in this field, and since more than 13 years ago, it tries to converge the natural synergy between image and sound, and the new artistic trends, making special emphasis on live actions.

LEV develops the L.E.V. Festival (in Gijón) and specific, delocalized shows called LEVents. Through both proceedings, the platform reaches its goal: to provide an eclectic, panoramic vision of the current state of creation and all its connections, in an ever-evolving environment. That is why LEV focalizes its work both on international artists that are leaders in audiovisual creativity and local artists, both pioneers and new talents.

 

image of MUTEK 2020 Distant Arcades interface

Distant Arcades: MUTEK Montreal

This exhibition premieres my newest project: “To the Farther” (2020) is a song that combines the aesthetics of ASMR with electronic music. This is part of my ongoing project to produce an ASMRtronica album.  My participation in this exhibition as part of the 2020 Amplify D.A.I. cohort – AMPLIFY D.A.I is an initiative of the British Council in partnership with MUTEK Montréal, MUTEK Buenos Aires and Somerset House Studios in the UK. The programme is supported by Canada Council for the Arts and Fundación Williams.

Distant Arcades

Amplify D.A.I. 2020

I am happy to announce that I have been selected as part of the 2020 cohort for Amplify: D.A.I.  More news to come!

AMPLIFY D.A.I is an initiative developed by the British Council in partnership with MUTEK and Somerset House Studios in the UK. Since 2018, the programme has  connected an active network in Argentina, Canada, Mexico, Venezuela, Peru and the UK.

AMPLIFY D.A.I is a platform that creates international visibility in the industry for women-identified artists and curators. The programme offers networking opportunities, showcases, exhibitions and performances, residencies, workshops, creative labs and field trips.

THE BRITISH COUNCIL
The British Council is the UK’s international organisation for cultural relations and educational opportunities. We create friendly knowledge and understanding between the people of the UK and other countries. We do this by making a positive contribution to the UK and the countries we work with – changing lives by creating opportunities, building connections and engendering trust. https://www.britishcouncil.ca

MUTEK

In 2018 MUTEK Montréal achieved gender parity in its program for the first time. Building on this accomplishment the festival remains committed to opening space for women, non-binary and diverse artists—providing opportunities for performance, exhibition, career building, workshops and networking. A not-for-profit organization dedicated to the dissemination and development of digital creativity in sound, music, and audiovisual art since its first edition in 2000, the festival has distinguished itself as an international rendezvous. Over the years, MUTEK has expanded to include recurrent editions in Mexico City, Buenos Aires, Barcelona, Tokyo, Dubai and San Francisco. http://www.mutek.org/en/

SOMERSET HOUSE STUDIOS

Somerset House Studios is an experimental workspace in the centre of London connecting artists, makers and thinkers with audiences. Located inside the repurposed former Inland Revenue building, the Studios offer space and support to artists pushing bold ideas, engaging with urgent issues and pioneering new technologies. It is also a platform for the development of new creative projects and collaborations. Up to 100 artists are resident at any one time and are supported to develop their practice for a defined period.  The Studios is also home to Makerversity, a community of 300+ professional makers and Studio 48, a shared workspace for individuals and groups working critically at the intersection of design and technology. https://www.somersethouse.org.uk/

Darling Foundry Montreal

Erin Gee and Jen Kutler Presence (2020) with Xuan Ye, What lets lethargy dream produces lethargy’s surplus value (2020)

August 13, 2020 – online performances for Darling Foundry, Montreal 

I have been invited to participate in a project by curator Laurie Cotton-Pigeon called Allegorical Circuits for Human Software, a cyberfeminist exploration of Marshall McLuhan’s writing on technology that includes performances and virtual interventions spanning several months from JUNE 11, 2020 – AUGUST 20, 2020 (5 PM TO 10 PM)

I’m very happy to be sharing the performance evening with Xuan Ye, a great Canadian artist working across code, sound, and performance. The programming also includes:

MÉGANE VOGHELL

AVALON

NADÈGE GREBMEIER FORGET

ANNA EYLER & NICOLAS LAPOINTE                           

XUAN YE

 

ERIN GEE & JEN KUTLER

FABIENNE AUDÉOUD

ILEANA HERNANDEZ

NINA VROEMEN & ERIN HILL

EMMA-KATE GUIMOND

 

Cotton-Pigeon writes of our work:

“The notion of mediated connectivity is also present in the performative work of artists Erin Gee and Jen Kutler. As the two artists live in two different places (Gee is based in Canada and Kutler in the United States), they developed a system of sensorial connection without ever meeting in person, which has allowed them to overcome the constraints associated with geographical distance and concretize the “virtuality” of the Internet. Interested in the unconscious and autonomous nature of bodily sensations and their associated emotions, the artists simulate touch by combining an ASMR relaxation technique with the use of DIY devices (Touch Simulation Units) that work similarly to transcutaneous electrical nerve stimulation (TENS).”

 

Allegorical Circuits for Human Software has been conceived in dialogue with the collective exhibition FEEDBACK, Marshall McLuhan and the Arts, which will be presented in summer 2021 at Fonderie Darling.

 

 

Dyscorpia 2.1 Online Exhibition

I was invited to contribute my video work Machine Unlearning (2020) as a part of the Dyscorpia 2.1 online exhibition

DYSCORPIA 2.1 is an online exhibition that responds to ideas of THE BODY AND TECHNOLOGY IN THE TIME OF COVID – 19 organized by Marilene Oliver at the University of Alberta.

DYSCORPIA is a project conceived and developed by a core team of researchers at the University of Alberta that came together to share their research and ideas about future of the body and technology. Together, they coined the term DYSCORPIA to describe the uncanny feeling we are increasingly subjected to as are called to relearn to use our bodies are a result of new digital technologies such as smart phones, automated cars, contemporary medical devices and digital assistants such as Siri and Alexa. This led to a series of collaborations and interdisciplinary projects that are central to the Dyscorpia exhibition.

Network Music Festival

NMF // SOUND WITHOUT BORDERS

July 17, 7:45pm BST (London) // 2:45pm EST (Montreal)

Erin Gee and Jen Kutler: Presence (2020). Streaming music performance for networked biodata and transcutaneous nerve stimulation devices.

Info:

The fourth Network Music Festival will take place online 15-18th July 2020.

Exploring innovative digital music, art and research which investigates the impact of networking technology on musical creation and performance practice, Network Music Festival presents cutting edge musical performances, workshops and discussions.The Network Music Festival took place 2012-2014 at the heart of Birmingham’s (UK) creative community. Responding to the move to online music making during the 2020 global pandemic and with increasing concern in artistic communities about the climate emergency, the festival is returning for a global fourth edition, which will take place entirely online 15-18th July 2020.

The main theme for 2020 is communities near and far. As many people find themselves socially distant, the importance of community is not diminished, but rather transformed. People rely on sound to bridge physical gaps, from singing or applauding out their windows, to connecting with others online.  Our connections, then, are either intensely local, or virtually borderless. We stay in touch with friends and neighbours, but also find that collaborating across the world is not harder than collaborating across town. In this year’s festival, we want to celebrate and strengthen the musical communities people have built with networking tools, as well as exploring the aesthetics, performance practice and technologies around topics such as web-streaming, multi-location performance, collaborative music making environments, accessible and sustainable performance practice and more.