audio art Tag

to the sooe @ Squeaky Wheel, Buffalo, NY

Love & Sex Show: Sweet Nothings

Special Event | Friday, February 14, 7–10 pm

My work with Sofian Audry to the sooe (2018) will be featured as part of  The Love and Sex Show: Sweet Nothings at Squeaky Wheel Film and Media Arts Centre in Buffalo, NY. This edition of the annual event focuses on sound and voice, featuring my audio work on a set of wireless headphones that can be worn throughout the gallery, as well as film installations and kareoke and performance by Thirza Cuthand, Jess Dobkin, Caroline Doherty, Lauren Fournier, Erin Gee, Dina Georgis and Sharlene Bamboat, Desiree Kee, Hope Mora, Michael Robinson, and Wayne Yung.

Review: Akimblog, Canada

The first review for my solo exhibition To the Sooe at the MacKenzie Art Gallery is here!  To the Sooe is on view until April 19th in Regina, Canada.

“Gee delivers the output in ASMR style through role play and a sound performance that leave you both mesmerized and tingling to your core. The sterile white walls and scientific jargon of the exhibition texts should not deter you from this immersive and sensory experience. Gee’s complex communication configurations require your time, patience and an open mind.” -Alexa Heenan, Akimblog

Click here to read the full review

Machine Unlearning

Vision calibration from Machine Unlearning (2020). Photography by Elody Libe. Image courtesy of the artist.

Machine Unlearning is a video installation in the style of an ASMR roleplay, in which the artist offers a treatment administered through a chip she inserts at the back of the viewer’s neck. This chip allows the artist to directly administer the outputs of an LSTM algorithm through her whispered voice to the mind of the viewer as the algorithm unlearns language previously learned from the novel Wuthering Heights. This roleplay is complimented by a variety of physiological calibration routines and hypnotic hand gestures that play at visual rhythm and implied first person experience.
The combination of machine learning outputs and ASMR is intended to draw parallels to how the autonomous systems of algorithms are similar to the autonomous reactions of human sensory systems. Just as ASMRtists use specific sounds and visual patterns in their videos to “trigger” physical reactions in the user using stimuli, acting on the unconscious sensory processing of the listener as they watch the video, the algorithm also unconsciously responds to patterns perceived by its limited senses in order to develop its learning (and unlearning) processes.

Credits: Photography and videography by Elody Libe.

Production Support: Machine Unlearning video installation was produced at Perte de Signal with the support of the MacKenzie Art Gallery for the exhibition To the Sooe (2020) curated by Tak Pham.

The roleplay performance was developed during my artistic residency at Locus SonusÉcole Superieur d’art d’Aix en Provence and Laboratoire PRISM.

More...

The use of the word “intelligence” in the metaphor of AI focuses on higher functions of consciousness that algorithms do not possess. While algorithms have not meaningfully achieved a humanistic consciousness to date, today’s algorithms act autonomously on sensory information, processing data from its environment in unconscious, automatic ways. The human brain also responds unconsciously and automatically to sensory data in its environment, for example, even if you are not conscious of how hot a stove is, if you place your hand on a hot stove, your hand will automatically pull away. These unconscious, physiological actions in the sensory realm points to an area of common experience between algorithms and the human.  For more explanation of these ideas, take a look at the work of postmodern literary critic N. Katherine Hayles in her 2017 book Unthought: The power of the cognitive nonconscious.  In this way I wonder if the expression “autonomous intelligence” makes more sense than “artificial intelligence”, however like posthumanist feminist Rosi Braidotti I am deeply suspicious of the humanist pride that our species takes in the word “intelligence” as something that confers a special status and justification for domination of other forms of life on earth.

Live Performance

This work was first developed as a performance that debuted at Cluster Festival, Winnipeg in 2019.  During live performance, each audience member dons a pair of wireless headphones.  The performance allows the audience members to see the ASMR “result” of the performance for camera, simultaneous with the ability to see my “backstage” manipulation of props and light in real time.

Machine Unlearning (2019) Performance at Cluster Festival, Winnipeg. Photo: Leif Norman.

Machine Unlearning (2019) Performance at Cluster Festival, Winnipeg. Photo: Leif Norman.

Machine Unlearning (2019) Performance at Cluster Festival, Winnipeg. Photo: Leif Norman.

Solo Exhibition MacKenzie Art Gallery

From January 24-April 19 2020, my first major solo exhibition in a Canadian museum, To the Sooe, will be on view at the MacKenzie Art Gallery in Regina, Canada.

To the Sooe is curated by Tak Pham, and features a collection of my embodied technological works to date, as well as a few brand new works made especially for this exhibition including video installation Machine Unlearning (2020) and interactive biodata sound sculpture Pinch and Soothe (2020).

The exhibition has already garnered major attention from the printed press in Regina, with front page feature stories in both the Leader Post and the Prairie Dog as well as a french language interview with Radio Canada.  As part of my exhibition activities I also gave an artist talk at the University of Regina as part of their Art for Lunch speaker series on January 24, 2020.

Sound Gender Feminism Activism – Tokyo

My interactive website for survivors of sexual violence Laughing Web Dot Space will be a part of the exhibition at the SGFA Conference in Tokyo!  I am truly honoured to have been selected for this exhibition and conference, and the opportunity to spread awareness, togetherness, and healing through laughter.

SOUND::GENDER::FEMINISM::ACTIVISM – TOKYO

Chinretsukan Gallery, Tokyo University of the Arts (Tokyo, Japan)

4 & 5 October 2019

A collaboration between

Creative Research into Sound Arts Practice (CRiSAP), University of the Arts London

Graduate School of Global Arts (GA), Tokyo University of the Arts

FILE Festival São Paolo

FILE Festival – SESI Arte Galeria

Exhibition Opening June 25, 2019

Exhibition runs from June 26 to August 11, 2019

Avenida Nossa Senhora da Penha, 2053, Ed. Findes, Santa Lúcia, Vitoria – ES – Brazil

I am proud to present my interactive web work Laughing Web Dot Space in São Paolo, Brazil through the FILE Electronic Language International Festival. Laughing Web Dot Space is an online website for recording and listening to the laughter of survivors of sexual violence. The site does not collect any data beyond presence.

I’m encouraged that the curators invited me to show this work in the context of media art in Brazil. Currently, the President of Brazil Jair Bolsonaro is known for his anti-homophobic and misogynist statements. He has taunted woman about rape and called women tramps. Under this government, artists have been subject to death threats and intimidation, including calls to dissolve the culture department into education. I look forward to sharing the defiant laughter, hope, joy, and solidarity of Laughing Web Dot Space with the public in Brazil during this very important festival for media art.

Printemps Numerique Montreal

Musee McCord/ McCord Museum – 690 Sherbrooke St W, Montreal, QC H3A 1E9, Canada

Wednesday May 29 – Sunday June 2

Curated by Erandy Vergara

Artists: Sofian Audry, Mara Eagle, Erin Gee, Julia Zamboni

 

to the sooe (2018), my revocalized machine learning sound artwork inspired by ASMR made in collaboration with Sofian Audry, is featured in exhibition at the McCord Museum as part of Printemps Numèrique in Montreal.

Click here to learn more about the exhibition including details on the works by the other artists in the show.

 

 

Review: Canadian Art

Amber Berson wrote a thoughtful review on the occasion of Eastern Bloc’s 10th anniversary exhibition Amplification that features discussion and images of my first internet-artwork https://laughingweb.space

This exhibition meant a lot to me as an artist that has been supported by Eastern Bloc over the years not only by the fact that they have exhibited me and involved me in many projects…but also I have been enriched an supported by their fantastic programming.  I salute Eastern Bloc and wish them all the best in their next 10 years!

To read the article, click here.

LAUGHING WEB DOT SPACE

An interactive website and virtual laugh-in for survivors of sexual violence.

The URL: https://laughingweb.space

This website enables survivors to record and listen to the sounds of their laughter, and through the magic of the internet, laugh together. Visitors of any gender that self-identify as survivors are invited to use the website’s interface to record their laughter and join in: no questions asked. Visitors can also listen to previously recorded laughter on loop.

Why laughter? Laughter is infectious, and borne of the air we still breathe. We laugh in joy. We laugh in bitterness. We laugh awkwardly. We laugh in relief. We laugh in anxiety. We laugh because it is helpful for laugh. We laugh because it might help someone else. Laughing is good for our health: soothing stress, strengthening the immune system, and easing pain. Through laughter, we proclaim ourselves as more complex than the traumatic memories that we live with. Our voices echo, and will reverberate in the homes, public places, and headphones of whoever visits.

The site is officially launched on October 3rd, 2018!

Dedicated to Cheryl L’hirondelle

This project was commissioned by Eastern Bloc (Montreal) on the occasion of their 10th anniversary exhibition. For this exhibition, Eastern Bloc invited the exhibiting media artists to present work while thinking of linkages to Canadian media artists that inspired them when they were young. I’m extremely honored and grateful for the conversations that Cheryl L’hirondelle shared with me while I was developing this project.

When I was just beginning to dabble in media art in art school, the net-based artworks of Cheryl L’hirondelle demonstrated to me the power of combining art with sound and songwriting, community building, and other gestures of solidarity, on the internet. Exposure to her work was meaningful to me – I was looking for examples of other women using their voices with technology. Skawennati is another great artist that was creating participative web works in the late 90s and early 2000s – you can check out her cyberpowwow here.

Click here to visit Laughing Web Dot Space

Credits

Graphic Design – Laura Lalonde
Backend Programming – Sofian Audry, Conan Lai, Ismail Negm
Frontend Programming- Koumbit

Special thank you to Kai-Cheng Thom, who with wisdom, grace, and passion guided me through many stages of this work’s development.

Exhibition History/Upcoming

October 3 -23, 2018 – Eastern Bloc, Montreal. Curated by Eliane Ellbogen

February 16, 2019 –The Feminist Art Project @ CAA Conference – Trianon Ballroom, Hilton NYC.

February 2019 – Her EnvironmentYards Gallery, Chicago. Curated by Chelsea Welch and Iryne Roh.

June 26 to August 11, 2019. SESI Arte Galeria, FILE festival, São Paulo, Brazil.

Reviews/Interviews

(2019) https://chiartshub.com/2019/01/27/review-entanglements-forces-us-to-consider-our-relationship-to-technology/

Fields, Noa/h. (2019). “Dangling Wires: Artists Examine Relationship with Technology in Entanglements.” Scapi Magazine (Chicago). https://scapimag.com/2019/02/05/dangling-wires-artists-examine-relationship-with-technology-in-entanglements/

Fournier, Lauren (2018). “Our Collective Nervous System.” Canadian Art. https://canadianart.ca/interviews/our-collective-nervous-system/

Berson, Amber (2018). “Amplification” Canadian Art. REVIEWS / OCTOBER 23, 2018. https://canadianart.ca/reviews/amplification/