performance Tag

Audio Placebo Plaza: Montreal Edition

Audio Placebo Plaza is a community sound art project conceived by Erin Gee and Julia E Dyck in collaboration with invited artist Vivian Li .

In June 2021 the trio transformed a former perfume shop in the St Hubert Plaza of Montreal into a pop up radio station, sensory room, therapist office, and audio production studio, uniting these spaces through the aesthetics of a sandwich shop or cafe to offer customizable audio placebo “specials” and “combos” to the public.

Founded upon principles of feminism, socialism, and audio production excellence, Audio Placebo Plaza invites everyday people to take appointments with artists to discuss how an audio placebo could help improve their lives. These appointments are entirely focused on the individual and are in themselves part of the process. Common topics of discussion included increasing productivity, self-esteem, self-care, social interactivity, brain hacking, mitigating insomnia, and pain management, but also one’s aural preferences, sensitivities, and curiosities. Intake sessions were conducted in a blended telematic/in-person structure to determine one’s familiarity and comfort levels with a variety of psychosomatic audio techniques including but not limited to soundscapes, binaural beats, simulated social interactions, positive affirmations, drone, participatory vocalization, ASMR, guided meditation and deep listening.

After the consultation is complete, team members met to discuss each participant’s case to fulfill their “prescription,” and also to divide the labor amongst the three creators. The collaborations are non-hierarchical, adaptive, and simultaneous: one might be working on up to four projects at a time, or trade tasks depending on one’s backlog of labor. Labor is divided into recording sounds, conducting intake sessions, writing scripts, performing spoken or sung content, writing music, editing and audio mixing, cleaning and maintaining the shared spares, and communicating with visitors or walk-ins.

Audio Placebo Plaza Radio broadcast was facilitated through a pirate radio transmitter as well as an internet radio station. We broadcast completed placebos, shared technical advice and performance practices during informal critiques, work sessions in progress through the DAW, and sometimes informal chats with visitors. Intake sessions were also broadcasted (with the consent of visitors).

Through Audio Placebo Place, we explore and develop methods for sound and music that propose emotional labor, listening, collaboration and “music as repair” (see Suzanne Cusick, 2008) as key elements that shape the sonic-social encounter between artists and the public.

Can placebos help?
Does sound have the power to process complex emotions?
Can music give you what you need?
Is this even music?

Audio Placebo Plaza – Montreal

/Undefine Radio presents a series of radio interventions under the theme of “Bodies in Resonance / Corps Résonants”.

Co-curated by Martín Rodríguez and Emmanuel Madan, this series enlists three successive artist groups to make performances, installations, and engage with the public through the storefront at 6835 Rue Saint-Hubert from June 4 to 22 in Partnership with Suoni per il Popolo and CKUT.

June 11-17: Audio Placebo Plaza

 

Sound artists Erin Gee and Julia E Dyck transform a former perfume shop vitrine into a DIY audio placebo and online radio centre. For one week only they offer everyday people customized positive messages, audio creations, healing frequencies, binaural beats, and ASMR. They are responding to the needs of the community through a practice of radical sonic care.

Can placebos help?
Does sound have the power to process complex emotions?
Can music give you what you need?
Is this even music?

CHECK OUT OUR PIRATE RADIO and INTERNET STREAM —-> undefine.fm

Darling Foundry Montreal

Erin Gee and Jen Kutler Presence (2020) with Xuan Ye, What lets lethargy dream produces lethargy’s surplus value (2020)

August 13, 2020 – online performances for Darling Foundry, Montreal 

I have been invited to participate in a project by curator Laurie Cotton-Pigeon called Allegorical Circuits for Human Software, a cyberfeminist exploration of Marshall McLuhan’s writing on technology that includes performances and virtual interventions spanning several months from JUNE 11, 2020 – AUGUST 20, 2020 (5 PM TO 10 PM)

I’m very happy to be sharing the performance evening with Xuan Ye, a great Canadian artist working across code, sound, and performance. The programming also includes:

MÉGANE VOGHELL

AVALON

NADÈGE GREBMEIER FORGET

ANNA EYLER & NICOLAS LAPOINTE                           

XUAN YE

 

ERIN GEE & JEN KUTLER

FABIENNE AUDÉOUD

ILEANA HERNANDEZ

NINA VROEMEN & ERIN HILL

EMMA-KATE GUIMOND

 

Cotton-Pigeon writes of our work:

“The notion of mediated connectivity is also present in the performative work of artists Erin Gee and Jen Kutler. As the two artists live in two different places (Gee is based in Canada and Kutler in the United States), they developed a system of sensorial connection without ever meeting in person, which has allowed them to overcome the constraints associated with geographical distance and concretize the “virtuality” of the Internet. Interested in the unconscious and autonomous nature of bodily sensations and their associated emotions, the artists simulate touch by combining an ASMR relaxation technique with the use of DIY devices (Touch Simulation Units) that work similarly to transcutaneous electrical nerve stimulation (TENS).”

 

Allegorical Circuits for Human Software has been conceived in dialogue with the collective exhibition FEEDBACK, Marshall McLuhan and the Arts, which will be presented in summer 2021 at Fonderie Darling.

 

 

Web Residency: Saw Video

I have been selected alongside three other residents for Saw Video’s Stay At Home Internet Residency.

I am especially pleased to have the opportunity to collaborate with Jen Kutler on a new work for telematic sound and video during the course of this residency.  We are having an insane amount of fun creating feedback systems for music and biodata that integrate transcutaneous nerve stimulation over web sockets.

Over the course of five weeks (April 29th – May 29th), we will meet via zoom/hangouts to discuss readings, media, and art making. Individual web-based studio visits with national scholars, curators and artists will be had, and we will diffuse the artists’ works on May 28th. Please sign up for our newsletter here, and follow us on social media for more information on artists’ diffusion scheduling!

Machine Unlearning @ META MARATHON Düsseldorf

I will be performing (and live streaming) a new audio performance work that features myself in a live ASMR re-performance of deep learning text.  The work will be accessed through a streaming YouTube link via the distributed screens of audience member’s smartphones and laptops for a half hour via headphones in a quiet environment where blankets and sleeping are invited as part of the work.  This performance will take place as part of META MARATHON at NRW Forum, Düsseldorf, Germany on May 26, 2018.

NEW TECHNOLOGY FESTIVAL META MARATHON AT THE NRW-FORUM DÜSSELDORF

42 hours of non-stop talks, performances, film screenings, concerts, exhibitions, and workshops on the subject of Artificial Intelligence: the META Marathon is a new technology festival taking place from 25th to 27th May 2018 at the NRW Forum Düsseldorf. The participants design the festival themselves, switch roles between expert and amateur as well as experiment with the new format—including on-site accommodation. The Festival Director is the futurist and entrepreneur Christopher Peterka.

An innovative technology festival and a digital happening: META is an invitation to participants to collaborate in an open process and collectively develop new ideas on digital modernity and Artificial Intelligence. In doing so, META breaks away from the series of digital conferences and exhibitions that talk about phenomena more than being part of them.

META follows from the assumption that the changes made by digital technologies are so radical that they require new kinds of research and understanding. The participants are invited to work together in a 42-hour marathon packed with stimulating events—in workshops, labs, and talks with sometimes radical exploratory methods—and have the opportunity to spend the night at the NRW Forum.

Those wishing to participate must apply in advance at https://www.metamarathon.net/. The cost of taking part is 42€, which includes food and a sleeping place, and there is space for a total of 400 curious pioneers. Some of those who have already registered are creatives and thinkers from the realms of research, teaching, economics, art and culture, including artist and composer Erin Gee, professor and curator Joasia Krysa, artist and professor Hans Bernhard (Uebermorgen. com), Professor Chris Geiger, nyris founder Anna Lukasson-Herzig, and many more.

What will language look like in the future and how will we use it? How is digital media changing communication? What are the most important skills when machines and Artificial Intelligence are capable of performing human work? How do we perceive and communicate with each other in a world determined by the flow of information and data? Based on the historical agenda of the Macy Conferences, META addresses the issues of memory and storage, language, communication, and learning and perception. The Macy Conferences were ten interdisciplinary conferences that took place between 1946 and 1953 in the United States. It was a hitherto unprecedented open experimental arrangement in which scientists of various disciplines such as neurophysiology, mathematics, psychology, and sociology worked out the basics of cybernetics and cognitive science.

With its novel format, META would like to go beyond the concept of a conference and be a discursive space in which digital modernity and its radical social changes can be explored and described in a festival setting. Contributors should bring their own questions and theories and be prepared to let themes develop on the spot as well as engage in open dialogue between people, disciplines, and machines. The outcome is open and applications will be accepted immediately.

To find more detailed information about the program and to apply visit: https://www.metamarathon.net/

META Marathon
25-27.5.2018

Starts: 25.5, 21:59
Ends: 27.5, 9.30

NRW-Forum Düsseldorf | Ehrenhof 2 | 40479 Düsseldorf

Press Contakt | Irit Bahle | Phone: +49 (0)211-89266-81 | presse@nrw-forum.de

For more information, or to register for the event, visit the META MARATHON website

MediaLive Festival 2017

Happy to announce that I will be presenting a new version of my “BioSynth” at the MediaLive festival (Boulder Museum of Contemporary Art) in May.  This year’s festival features an amazing group of artists, gathering under the theme THE VOID.  For this upcoming performance I will be moving towards a more sophisticated sonic treatment of the physiological signals, and returning to the ideas of “choir” and “vocality” of emotion that I began with my earlier work “Song of Seven: BioChoir” with the Hamilton Children’s Choir.

NO HAY BANDA Montréal

Erin Gee – solo vocal performance November 28th 2016 – Sala Rossa, Montreal with Vinko Globocar

As part of NO HAY BANDA programming series with the support of Suoni Per Il Popolo.

More information:

NO HAY BANDA is a series of live musical events that aims to provide new outlets for artistic innovation and expression. Presented with the support of Suoni Per Il Popolo, programmes are designed to broaden and challenge the musical experience of the audience, showcasing the work of the young avant-garde that takes its roots in pop/rock, DIY culture and post-war experimentation.

NO HAY BANDA est une série de concerts qui incite à remettre en question les conceptions conventionnelles de la musique et de la performance, dans le but de créer de nouvelles voies pour l’expression artistique. Présentés avec l’appui de Suoni Per Il Popolo, nos programmes mettent en vedette des propositions de la jeune avant-garde, qui prend ses racines dans le pop/rock, la culture DIY et la musique expérimentale d’après-guerre.

La programmation de NO HAY BANDA cherche à promouvoir l’esthétique d’une nouvelle avant-garde internationale afin de produire des spectacles de ce genre pour la première fois à Montréal. Cette proposition est tirée des réseaux avec lesquels les membres ont été impliqués lors d’activités récentes en Europe et en Amérique.

NO HAY BANDA est un collectif d’artistes formé par trois interprètes de musique nouvelle basés à Montréal : Geneviève Liboiron, Noam Bierstone et Daniel Áñez. À travers notre expérience en création musicale et artistique, nous cherchons à créer un espace de concerts ouvert à un public diversifié où les expériences sonores priment.

NO HAY BANDA promeut la musique née d’une génération qui ne voit plus de barrières entre les différents genres musicaux, le théâtre, l’art performatif et la culture contemporaine. Chaque concert présentera un acte principal de 45-60 minutes avec un contenu international important, précédé par un acte d’ouverture de 20-30 minutes mettant en vedette des jeunes artistes sonores canadiens.

NO HAY BANDA veut devenir une institution dans la programmation musicale montréalaise et canadienne et l’option la plus avant-gardiste en ville. Le collectif est à la musique ce que la galerie d’art indépendante est aux arts visuels; la différence entre le musée et la galerie est toujours claire : le musée expose les œuvres historiques tandis que la galerie propose la créativité et l’innovation. Ainsi, nous oserons être la galerie en musique de l’innovation internationale et de l’avant-garde radicale à Montréal.

Fall Commission for Exo/Endo and Ilk

This fall 2016 the performing groups Exo/Endo and Ilk will premiere a new music composition by Erin Gee in three Canadian venues in Vancouver, Victoria and Calgary.  This new work is intended to be an extension of Gee’s work Voice of Echo (2011).  Stemming from a solo performance of this work in 2015 in Toronto at Trinity Square Video (What can a Vocaloid Do?), Gee will newly re-create materials based on vocaloid creatures, artificial intelligence, electronic voices in human bodies, authorship, subjectivity, embodiment, voice and agency telematically using a system developed by Michael Palumbo.  This work will employ five singers, and an experimental turntableist and extended bass player.

Exo/Endo is Andrea Young (voice and electronics), Michael Day (prepared turntables/percussion) Braden Diotte (multi-instrumentalist, agitated electric bass and electronics)

Ilk is Sara Sinclair Gomez, Sharon Kim, Micaela Tobin, and Andrea Young

Song of Seven

A composition for children’s choir featuring seven voices and seven sets of biodata with piano accompaniment.

In this song, young performers contemplate an emotional time in their lives, and recount this memory as an improvised vocal solo.The choir is instructed to enter into a meditative state during these emotional solos, deeply listening to the tale and empathizing with the soloist, using imagination to recreate the scene.  Choir members are attached to a musical instrument I call the BioSynth a small synthesizer that sonifies heartbeats and sweat release for each individual member to pre-programmed tones. Sweat release, often acknowledged as a robust measure of emotional engagement, is signaled by overtones that appear and reappear over a drone; meanwhile the heartbeats of each chorister are sounded according to blood flow, providing a light percussion.

The musical score combines traditional music notation with vocal games and rhythms determined not necessarily by the conductor or score but by beatings of the heart and bursts of sweat. Discreet flashing lights on the synthesizer boxes in front of the choristers allowed the singers to discern the rhythms and patterns of their heart and sweat glands, which therefore permits compositions to incorporate the rhythms of the body into the final score as markers that trigger sonic events.

This choral composition was workshopped over a one-week residency at the LIVELab (McMaster University) with selected members of the Hamilton Children’s Choir, and facilitated by Hamilton Artists Inc. with support from the Canada Council for the Arts.

For more information

Hamilton Children's Choir
Daniel Àñez (Spanish biography)
Hamilton Artists' Inc
LIVElab
Canada Council for the Arts

Piano accompanist: Daniel Àñez
Hardware design: Martin Peach
Software design: Erin Gee

Partitions1

New Work for Hamilton Children’s Choir

 

On June 25th 2016 I will be premiering new biosensor-driven work created especially for members of the Hamilton Children’s Choir.  This performance work will be presented in conjunction with my solo exhibition Vocales Digitales at Hamilton Artists Inc, thanks to the support of the Canada Council for the Arts.

The Hamilton Children’s Choir is a nationally competitive choir of youth  accompanied by pianist Daniel Añez.  Áñez is a renowned pianist in the musical milieu of Canada and Latin America, an active performer of contemporary and experimental music, a touring soloist, and a chamber musician.

This new work will allow me to explore a highly personal composition process with the choir, featuring the sonification of group empathy as seen through physiological markers of emotion such as heartrate, respiration and sweat release.

For more information

Hamilton Children’s Choir

Daniel Añez (Spanish Biography)

Hamilton Artists Inc

Canada Council for the Arts