Happy to announce that I will be presenting a new version of my “BioSynth” at the MediaLive festival (Boulder Museum of Contemporary Art) in May. This year’s festival features an amazing group of artists, gathering under the theme THE VOID. For this upcoming performance I will be moving towards a more sophisticated sonic treatment of the physiological signals, and returning to the ideas of “choir” and “vocality” of emotion that I began with my earlier work “Song of Seven: BioChoir” with the Hamilton Children’s Choir.
I’m featured in the January 2017 edition of Canadian Art Magazine! I’m particularly honored to be a part of this issue, entitled Futures. Including essays by the amazing Kai Cheng Thom, indigenous futures, an article on Xenofeminism, as well as a feature on “Forward Thinking” Canadian artists, I feel like this publication really reflects my attention as an artist equally engaged with science fiction as well as political realities of the moment.
Click here to read the full feature written by Rea McNamara, which includes 10 profiles of amazing Canadian artists working across media.