Saskatchewan Tag

Erin Gee To the Sooe exhibition image

Review of solo exhibition – Canadian Art

To the Sooe” is my first solo exhibition in a major Canadian institution, curated by Tak Pham at the MacKenzie Art Gallery . I am happy to announce the exhibition was recently reviewed by artist and curator Lauren Fournier and published in Canadian Art. This is my first solo exhibition in a major Canadian institution and I am thrilled by the positive response from critics.  The exhibition closed early due to COVID-19, which is noted elegantly by the reviewer:

“Erin Gee’s “To The Sooe” reflects on the valences of emotional life in a post-internet world, gesturing to the many resonances between humans and machines in a time when the humanity of algorithms, data and screens might seem at odds with the complexities of feeling. Having visited the exhibition just weeks before the gallery’s temporary closure due to COVID-19 physical distancing measures, I am now struck by how prescient the work is in this moment of quarantine and self-isolation, when, for most of us, our primary means of communication, intimacy, and connection with others is through technology.”- Lauren Fournier

Click below to read the full review on Canadian Art.

Erin Gee

Review: Akimblog, Canada

The first review for my solo exhibition To the Sooe at the MacKenzie Art Gallery is here!  To the Sooe is on view until April 19th in Regina, Canada.

“Gee delivers the output in ASMR style through role play and a sound performance that leave you both mesmerized and tingling to your core. The sterile white walls and scientific jargon of the exhibition texts should not deter you from this immersive and sensory experience. Gee’s complex communication configurations require your time, patience and an open mind.” -Alexa Heenan, Akimblog

Click here to read the full review

Cover Story: Leader Post

I was surprised for my exhibition To the Sooe to be featured as front-page news on January 27, 2020 in the Leader Post, the leading newspaper of Regina Saskatchewan. Inside the paper you can find an interview with exhibition curator Tak Pham and I regarding my solo show at the MacKenzie Art Gallery, To the Sooe.

““Erin’s work is very, very immersive. It’s really bringing the reaction, the chemistry, the biology within your body and really bringing it outwards and put(ting) it on display,” said Tak Pham, who curated this exhibition at the MacKenzie.”

Click here to read the full article.

 

 

Solo Exhibition MacKenzie Art Gallery

From January 24-April 19 2020, my first major solo exhibition in a Canadian museum, To the Sooe, will be on view at the MacKenzie Art Gallery in Regina, Canada.

To the Sooe is curated by Tak Pham, and features a collection of my embodied technological works to date, as well as a few brand new works made especially for this exhibition including video installation Machine Unlearning (2020) and interactive biodata sound sculpture Pinch and Soothe (2020).

The exhibition has already garnered major attention from the printed press in Regina, with front page feature stories in both the Leader Post and the Prairie Dog as well as a french language interview with Radio Canada.  As part of my exhibition activities I also gave an artist talk at the University of Regina as part of their Art for Lunch speaker series on January 24, 2020.

Cover Story: Prairie Dog Magazine

“Modernity and the Age of Reason kind of championed the brain as this really important thing that defined us as human,” she adds. “I’m interested in recent scientific studies that [show] it’s not all about the brain. Our thinking process actually happens in concert with our body beyond the brain. What I’m interested in is using technology to create a culture of the body.”

“I’m interested in making a conversation about technology that doesn’t centre on intelligence but on emotion.”

– Erin Gee, excerpts from interview with Gregory Beatty

My exhibition “To the Sooe” at the MacKenzie Art Gallery is front page news in Regina’s Prairie Dog Magazine!  The Prairie Dog is Regina’s top source for what is going on in entertainment and the arts, so it is a great honor to be featured.  I also appreciate the reporting done by Gregory Beatty on this interview.  Click here to read the full article.

As a very brief aside, I want to address to the use of the words “Sound-Shaman” on the cover of this magazine.  I have never used these terms to describe my practice, as I am not currently practicing any form of spiritual faith that would qualify me to do so. These words are not my own, but were an editorial decision that I do not identify with and strongly reject.

Erin Gee - Larynx Series

Saskatchewan Arts Board Purchase

Above: Larynx3 (2014), Epson UltraChrome K3 ink on archival paper. Edition of 5. 86 x 112cm. Collection of the Saskatchewan Arts Board, Canada.

 

Happy to announce that my work Larynx3 (from my four-part Larynx Series) has been purchased by the Saskatchewan Arts Board for their Permanent Collection in Canada.

Saskatchewan Arts Board’s Permanent Collection is a comprehensive collection of Saskatchewan artists (and expats such as myself) which includes approximately 3,000 works and represents the work of Saskatchewan province’s artists over the past seven decades. Its goal is to represent the contemporary art practices of artists within the province for the purpose of public access.

Click here for more information on the Saskatchewan Arts Board Permanent Collection.

Erin Gee - Rhubarb, rhubarb, peas and carrots

Rhubarb, rhubarb, peas and carrots

Rhubarb, rhubarb, peas and carrots, Dunlop Art Gallery (Regina SK), July 17-September 5, 2015. Review in National Gallery of Canada Magazine

Erin Gee - 2plus2: Prologue

2plus2: Prologue

(2009)

Performed September 9th, 2009 at Prince Albert, SK.

2plus2 is a collaborative work inspired by the 1967 painting of the same title by Douglas Morton, with musical composition by myself and choreography by Robin Poitras. A goal in my composition was to marry volume and weight with the lively colour and joy embodied in Morton’s work, using such reference points as jazz music, as well as the sonic similarities between vintage sci-fi and nature documentary films. The final work is an exploration of opposite forces, partnering, and twinned bodies, exploring the evolution of a species, learned behavior, community, and time.

This short prologue was premiered in September 2009 as part of CrossHatch: Dance and the Arts in three Saskatchewan cities.

NEED VIDEO

2plus2: Prologue, 2009. In collaboration with choreographer Robin Poitras. Trumpet samples courtesy of Mihai Sorohan.

The prologue for 2plus2 was premiered in September 2009 as part of CrossHatch: Dance and the Arts in three Saskatchewan cities. Poitras and I will continue in 2010 to complete the project with a larger work for two dancers.

Erin Gee - Formants - Image courtesy of InterAccess Gallery

Formants

(2008)

Fiberglass, plexiglas, hair, copper, wood, electronics

20” x 49” x 27.5”

Formants is an interactive audio sculpture featuring the heads of two female figures that sing when their hair is brushed: a musing on desire, vanity, absent bodies, morality, intimacy and touch.

Credits

  • (version 1) Pure Data Programming: Michael Brooks
  • (version 2) Electronics technician and programmer: Martin Peach
  • Vocalists: Lynn Channing and Christina Willatt
  • Made with the support of Soil Digital Media Suite