2018 Tag

Algorithms that Matter Residency @ IEM Graz

I’ve been selected to be a featured artist in residence at the Institut für Elektronische Musik und Akustik (IEM) in Graz, Austria, participating in the Algorithms that Matter Residency from April-June 2018.

From the ALMAT website:

“Algorithms that Matter is an artistic research project by Hanns Holger Rutz and David Pirrò.  It aims at understanding the increasing influence of algorithms, translating them into aesthetic positions in sound, building a new perspective on algorithm agency by subjecting the realm of algorithms to experimentation.

Almat is grounded in the idea that algorithms are agents that co-determine the boundary between an artistic machine or “apparatus” and the object produced through this machine. The central question is: How do algorithmic processes emerge and structure the praxis of experimental computer music? The hypothesis is that these processes, instead of being separated from the composer—as generators and transformers of infinite shapes—exhibit a specific force that retroacts and changes the very praxis of composition and performance.”

 

I will use this opportunity to extend my reach into exciting new forms of embodied algorithmicity, developing new techniques for combining physiological markers of emotion with algorithmic agencies.

BioPUNKS residency @ UMaine

I have been invited as Research Associate to work with the department of chemical and biological engineering at the University of Maine to initiate a new electronics prototyping group as part of a residency within their department from January until April 2018.

BioPUNKS (Prototyping Ur New Knowledge of Sensors) is an extra-curricular electronics workshop that meets once a week, and is open to all chemical and biological students from freshman to senior.

Based on core values of Sharing, Learning, and Curiosity, our goals are to:

  1. Learn from each other
  2. Develop unique student-led projects at the frontier of bioengineering and electronics
  3. Develop open-source tools for the larger DIY community.

For more information, click here to access the BioPUNKS website

Future Perfect @ Hygienic Gallery

My work for VR and biosensor controller, Project H.E.A.R.T. (2017) has been selected for an exhibition at Hygienic Gallery, New London, Connecticut.

Exhibition: February 16 – March 3, 2018
Hygienic Art Gallery, 79 Bank Street, New London, Connecticut, www.hygienic.org.
Opening Reception: Friday, Feb. 16, 4:30 – 9 p.m.

Selected works from Intersections: the 16th Biennial Symposium on Arts & Technology

It is increasingly understood that our lives are pushed, pulled and interconnected by a range of intersections among multiple factors of identity and experience including: gender, culture, race, sexuality, and economic and technological contexts, among others.

Future Perfect includes a roster of artists from around the world, whose work explores the complex forces pushing and pulling our technological culture, and our own identities within it. Their work speculates on present and future fusions and intersections between our rich internal worlds, our bodies, our relationships, and the strange inner lives of artificial intelligences, data clouds and social algorithms.

Through works across mediums such as virtual reality video games, social media performance, experimental documentary, interactive sculpture, locally produced audio tours, and more, the artists in the show ask and offer their own answers to questions such as:

  • What if our machines touch and activate us just as much as we them?
  • What if they could read our emotions, respond to our bodies, and perhaps try to change us back? Are they doing it already?
  • What if we downloaded a digital version of all the objects in the world? Where would it be stored? Are we slowly converting our planet into data? At what cost?
  • How will this city look, feel, and sound, in 10, 20, 100 years?
  • What will you do if the world ends tomorrow?

Featured artists

Angela Ferraiolo
Eunsu Kang
Erin Gee and Alex Lee
Luis Mejico
Ricardo Miranda
Veronica Mockler
Shalev Moran, Mushon Zer-Aviv and Milana Gitzin-Adiram
Juan Pablo Pacheco
Mina Rafiee
Joyce Rudinsky
Laura Skocek and Christoph Gruber
Jack Stenner
Jeff Thompson
Jenny Vogel

Credits

Gallery Director, Hygienic Gallery: Sarah McKay
Curator: Nadav Assor
Installation manager: Brian Dimmock

Production support provided by the Ammerman Center for Arts and Technology, Connecticut College.  Additional support from the College’s Center for the Critical Study of Race and Ethnicity, the Office of Institutional Equity and Inclusion, and the Office of the Dean of the College.

 

Her Environment Chicago

I am previewing a new work I made in collaboration with Sofian Audry, tentatively titled DeepASMR at Her Environment in Chicago in a few days.

Without giving away too much, I’ve been working with Sofian on how AI can be processed, embodied, and felt as a personal relationship through gentle whispers and vocalizations. The work exists as a sound recording for the moment.

ABOUT THE EXHIBITION

Murmurs and Palpitations is a show about ritualized processes of healing and understanding. The show confronts the politics of navigating emotional responses within an environment of virtuality by directly remediating our lived experiences. The pieces in this show pose the question of the dynamic between intimate and immersive media and the ontological self, as experienced through multiple senses and ritualistic gestures. Interpreting Murmurs and Palpitations as sensory and experiential – living electronics – listening to the pulses and vibrations of the works, as they change rhythm through the practice of their language, their breath, the sound and smells of their environment.

Her Environment is an expanded new media art series highlighting feminine spectrum artists. Our focus is on broadening the understanding of how New Media practices can be used in multiple forms of art making, from video to installation and performance. Our aim is to show pieces that challenge how new media can be used, and the male dominated culture that surrounds it.

/
murmuring of screens, of bodies
living electronics, low, soft voices
breathing && quivering
chattering
palpitating
actions
actions
actions
incoming messages && touches
exercise in the form of repetitive motions
healing

Curated by
Chelsea Welch & Iryne Roh
w/ Allie Shyer & Nina Berman

~~~~~~~
Video Games:
Paloma Dawkins – Gardenarium (Canada)
Tahutahu Studios – Idearum (Madrid, Spain)

Installations:
Hannah Newman – Sky Water (Portland, OR)
Samantha Fickel – Touch Screen (Illinois, US)
Rena Anakwe – Living Narratives [iter.03] (Brooklyn, NY)
Madeeha Lamoreaux – Obtained | Retained [Blood Battery] (Chicago, IL)

Videos:
Hiba Ali – Con-tai-ner (Chicago, IL)
Hifsa Farooq – Two Fans (Lahore, Pakistan)
Yaloo Pop – Workout Routine 2018 (Seoul, Korea/Chicago, IL)

Sound:
Erin Gee and Sofian Audry – Deep ASMR (Montreal, Canada)

Performance:
Mitsu Salmon -Formosan Wood (Chicago, IL)

~~~~~~~~~
01/10/2018 ~ 01/27/2018
MURMURS AND PALPITATIONS is open for viewing from January 10th through the 27th!

of the soone

In this work, artists Sofian Audry and Erin Gee use the soft vocalizations of ASMR to translate deep learning processes into an intimate, human scale that incorporates role play and personal attention into the syntactical unfolding of an alien vocalization.

Autonomous Sensory Meridian Response is a growing genre of aural performance specific to online communities of amateur media creators (ASMRtists) who experiment with aural “triggers” such as whispered words, personal attention, subtle high frequency tapping, and abstract gentle body sounds to soothe the listener into calm and sometimes euphoric states. Through Gee’s tender vocalizations of machine performance we re-embody AI, and give it a physical intimacy through its technological re-mediation as sound.

The algorithmic process featured in this work is a deep recurrent neural network agent known as a “long short term memory” (LSTM) as it processes or “reads” Wuthering Heights by Emily Brontë. The network encounters the book character by character, familiarizing itself with the syntactical universe of the text. As it reads and re-reads the book, it slowly and hesitantly attempts to mimick Brontë’s style within the constraints of its own artificial “body”, hence finding its own alien voice. The revoicing of that speech by a human performer allows the listener to witness the program’s journey from syntactical spaces, vowels, and syllables, eventually creating strings of intelligible text that come to generate sentences.

Exhibition History:

January 2018: Her Environment @ TCC Gallery, Chicago
March 2018: XXFiles Radio @ Nuit Blanche, Montreal
April 2018: NRW Forum, Düsseldorf, Germany

Erin Gee recording “of the soone” at Perte de Signal, Montreal