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Darling Foundry Montreal

Erin Gee and Jen Kutler Presence (2020) with Xuan Ye, What lets lethargy dream produces lethargy’s surplus value (2020)

August 13, 2020 – online performances for Darling Foundry, Montreal 

I have been invited to participate in a project by curator Laurie Cotton-Pigeon called Allegorical Circuits for Human Software, a cyberfeminist exploration of Marshall McLuhan’s writing on technology that includes performances and virtual interventions spanning several months from JUNE 11, 2020 – AUGUST 20, 2020 (5 PM TO 10 PM)

I’m very happy to be sharing the performance evening with Xuan Ye, a great Canadian artist working across code, sound, and performance. The programming also includes:

Cotton-Pigeon writes of our work:

“The notion of mediated connectivity is also present in the performative work of artists Erin Gee and Jen Kutler. As the two artists live in two different places (Gee is based in Canada and Kutler in the United States), they developed a system of sensorial connection without ever meeting in person, which has allowed them to overcome the constraints associated with geographical distance and concretize the “virtuality” of the Internet. Interested in the unconscious and autonomous nature of bodily sensations and their associated emotions, the artists simulate touch by combining an ASMR relaxation technique with the use of DIY devices (Touch Simulation Units) that work similarly to transcutaneous electrical nerve stimulation (TENS).”

Allegorical Circuits for Human Software has been conceived in dialogue with the collective exhibition FEEDBACK, Marshall McLuhan and the Arts, which will be presented in summer 2021 at Fonderie Darling.