media art Tag

Cover Story: Prairie Dog Magazine

“Modernity and the Age of Reason kind of championed the brain as this really important thing that defined us as human,” she adds. “I’m interested in recent scientific studies that [show] it’s not all about the brain. Our thinking process actually happens in concert with our body beyond the brain. What I’m interested in is using technology to create a culture of the body.”

“I’m interested in making a conversation about technology that doesn’t centre on intelligence but on emotion.”

– Erin Gee, excerpts from interview with Gregory Beatty

My exhibition “To the Sooe” at the MacKenzie Art Gallery is front page news in Regina’s Prairie Dog Magazine!  The Prairie Dog is Regina’s top source for what is going on in entertainment and the arts, so it is a great honor to be featured.  I also appreciate the reporting done by Gregory Beatty on this interview.  Click here to read the full article.

As a very brief aside, I want to address to the use of the words “Sound-Shaman” on the cover of this magazine.  I have never used these terms to describe my practice, as I am not currently practicing any form of spiritual faith that would qualify me to do so. These words are not my own, but were an editorial decision that I do not identify with and strongly reject.

FILE Festival São Paolo

FILE Festival – SESI Arte Galeria

Exhibition Opening June 25, 2019

Exhibition runs from June 26 to August 11, 2019

Avenida Nossa Senhora da Penha, 2053, Ed. Findes, Santa Lúcia, Vitoria – ES – Brazil

I am proud to present my interactive web work Laughing Web Dot Space in São Paolo, Brazil through the FILE Electronic Language International Festival. Laughing Web Dot Space is an online website for recording and listening to the laughter of survivors of sexual violence. The site does not collect any data beyond presence.

I’m encouraged that the curators invited me to show this work in the context of media art in Brazil. Currently, the President of Brazil Jair Bolsonaro is known for his anti-homophobic and misogynist statements. He has taunted woman about rape and called women tramps. Under this government, artists have been subject to death threats and intimidation, including calls to dissolve the culture department into education. I look forward to sharing the defiant laughter, hope, joy, and solidarity of Laughing Web Dot Space with the public in Brazil during this very important festival for media art.

Eastern Bloc Montreal

Eastern Bloc

7240 Clark, Montreal

October 3-26, 2018

GALLERY HOURS

  • Wed to Fri | 16.00 – 19.00
  • Sat – Sun | 13.00 – 17.00

Curators: Martín Rodríguez (Co-Director) & Éliane Ellbogen (Former Artistic Director and Founder of Eastern Bloc)

“Amplification”, in its figurative and literal sense, is the act of making something more marked or enhanced, on the one hand, and the process of increasing the amplitude of an electrical signal, on the other. Amplification of both artists’ careers and art practices is what Eastern Bloc strives towards in its programming. It is what prompted the centre to curate a retrospective exhibit featuring the work of artists with whom we have closely collaborated over the past ten years, who are not so emerging anymore, but who inspire us to continue amplifying the work of younger, more emerging artists.

The artists exhibited in “Amplification” form an important part of the digital arts landscape in Canada. Many of them exhibited in group or solo shows for the first time at Eastern Bloc, while others were presented by the centre at a formative stage in their career. They have all, over the past decade, developed a strong bond with the centre and have contributed to strengthening and “amplifying” the community of Canadian and international digital artists.

The exhibiting artists were invited to create a work inspired by the work of ten pioneering Canadian New Media artists.

Erin Gee created work inspired by Cheryl L’hirondelle; Darsha Hewitt by Doug Back; Sofian Audry by Monty Cantsin?; Craig Fahner and Matthew Waddell by Catherine Richards; Adam Basanta by Janet Cardiff and George Bures Miller; Jennifer Chan by Emily Vey Duke and Cooper Battersby; Sabrina Ratté and Roger Tellier-Craig by Jean-Pierre Boyer; and Erin Sexton by Michael Snow. Eleven emerging and mid-career artists have, as such, created a body of work that represents a “living archive” of Eastern Bloc. The work exhibited in Amplification delves into and revises the history of New Media art in Canada, as seen through the perspective of a new generation of Canadian artists. Amplification is Eastern Bloc’s contribution to the past, present, and future of digital arts in Montreal and in Canada.