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Decolonizing the Senses, Roundtable: Montreal

Decolonizing the Senses, Roundtable

Organizer: Florencia Marchetti, CISSC, Concordia University, Canada

This roundtable brings together an interdisciplinary team of Indigenous and non-Indigenous artists and scholars who have been exploring ways of decentering Western notions about the body and the senses through an intercultural research-creation lab since 2014. Through talking and making, thinking, reading and researching, team members have shared and learned about each other’s practices, bringing to the table a diverse range of epistemological and ontological doubts and premises. In this roundtable, we will revisit the project’s trajectory, from our early conversations and interferences to the production of three portable sensory environments and the video re-mediations produced to share the works under the new social regulations imposed by pandemic living.

Discussion topics will include:

– Listening Relationalities

– New Media Art and Indigenous Ontologies

– Creative-Knowledge Flow and Protocols (from Place/Land through Non-Human Ontologies into Artworks)

Panelists:

Jennifer Biddle, National Institute for Experimental Art, University of New South Wales, UK,
David Garneau, Visual Arts, University of Regina, Canada

Erin Gee, Music Composition, Universite de Montreal, Canada
David Howes, Centre for Sensory Studies, Concordia University, Canada
Suzanne Kite, Concordia University, Canada,
Chris Salter, Design Art, Concordia University, Canada,
r e a Saunders, Independent artist, Australia

Festival Inmersiva – Mexico City

FESTIVAL DELAYED DUE TO COVID19 – FEBRUARY 2021

In a very exciting presentation, the Centro de Cultura Digital in Mexico City will be presenting the most ambitious version of telematic artwork Presence (2020, Erin Gee and Jen Kutler) to date.

Presence – Erin Gee & Jen Kutler (Quebec / USA)
Telematic sound performance

Presence is a telematic sound work where two networked performers (Gee and Kutler) send and receive each other’s heart, sweat and respiration data from Canada and the USA, which in turn triggers strong electronic pulses in devices across their skin in response to one another. The two performers listen to a whispered roleplay of verbal suggestions on the topic of impossible and imaginary touch as music is generated live from their embodied reactions in live feedback over the network.

Video and audio livestream will be received at CCD in Mexico City, where a subject will also receive the live electric pulse signals from Jen and Erin’s bodies on both arms.

For more information on this hybrid streaming/real life event: Click here for a preview article published in Cronica MX (Spanish language)