transcutaneous nerve stimulation Tag

Darling Foundry Montreal

Erin Gee and Jen Kutler Presence (2020) with Xuan Ye, What lets lethargy dream produces lethargy’s surplus value (2020)

August 13, 2020 – online performances for Darling Foundry, Montreal 

I have been invited to participate in a project by curator Laurie Cotton-Pigeon called Allegorical Circuits for Human Software, a cyberfeminist exploration of Marshall McLuhan’s writing on technology that includes performances and virtual interventions spanning several months from JUNE 11, 2020 – AUGUST 20, 2020 (5 PM TO 10 PM)

I’m very happy to be sharing the performance evening with Xuan Ye, a great Canadian artist working across code, sound, and performance. The programming also includes:

MÉGANE VOGHELL

AVALON

NADÈGE GREBMEIER FORGET

ANNA EYLER & NICOLAS LAPOINTE                           

XUAN YE

 

ERIN GEE & JEN KUTLER

FABIENNE AUDÉOUD

ILEANA HERNANDEZ

NINA VROEMEN & ERIN HILL

EMMA-KATE GUIMOND

 

Cotton-Pigeon writes of our work:

“The notion of mediated connectivity is also present in the performative work of artists Erin Gee and Jen Kutler. As the two artists live in two different places (Gee is based in Canada and Kutler in the United States), they developed a system of sensorial connection without ever meeting in person, which has allowed them to overcome the constraints associated with geographical distance and concretize the “virtuality” of the Internet. Interested in the unconscious and autonomous nature of bodily sensations and their associated emotions, the artists simulate touch by combining an ASMR relaxation technique with the use of DIY devices (Touch Simulation Units) that work similarly to transcutaneous electrical nerve stimulation (TENS).”

 

Allegorical Circuits for Human Software has been conceived in dialogue with the collective exhibition FEEDBACK, Marshall McLuhan and the Arts, which will be presented in summer 2021 at Fonderie Darling.

 

 

Network Music Festival

NMF // SOUND WITHOUT BORDERS

July 17, 7:45pm BST (London) // 2:45pm EST (Montreal)

Erin Gee and Jen Kutler: Presence (2020). Streaming music performance for networked biodata and transcutaneous nerve stimulation devices.

Info:

The fourth Network Music Festival will take place online 15-18th July 2020.

Exploring innovative digital music, art and research which investigates the impact of networking technology on musical creation and performance practice, Network Music Festival presents cutting edge musical performances, workshops and discussions.The Network Music Festival took place 2012-2014 at the heart of Birmingham’s (UK) creative community. Responding to the move to online music making during the 2020 global pandemic and with increasing concern in artistic communities about the climate emergency, the festival is returning for a global fourth edition, which will take place entirely online 15-18th July 2020.

The main theme for 2020 is communities near and far. As many people find themselves socially distant, the importance of community is not diminished, but rather transformed. People rely on sound to bridge physical gaps, from singing or applauding out their windows, to connecting with others online.  Our connections, then, are either intensely local, or virtually borderless. We stay in touch with friends and neighbours, but also find that collaborating across the world is not harder than collaborating across town. In this year’s festival, we want to celebrate and strengthen the musical communities people have built with networking tools, as well as exploring the aesthetics, performance practice and technologies around topics such as web-streaming, multi-location performance, collaborative music making environments, accessible and sustainable performance practice and more.