Hamilton Artists Inc. Tag

Song of Seven: Biochoir

In this song, young performers contemplate an emotional time in their lives, and recount this memory as an improvised vocal solo.The choir is instructed to enter into a meditative state during these emotional solos, deeply listening to the tale and empathizing with the soloist, using imagination to recreate the scene.  Choir members are attached to a musical instrument I call the BioSynth a small synthesizer that sonifies heartbeats and sweat release for each individual member to pre-programmed tones. Sweat release, often acknowledged as a robust measure of emotional engagement, is signaled by overtones that appear and reappear over a drone; meanwhile the heartbeats of each chorister are sounded according to blood flow, providing a light percussion.

The musical score combines traditional music notation with vocal games and rhythms determined not necessarily by the conductor or score but by beatings of the heart and bursts of sweat. Discreet flashing lights on the synthesizer boxes in front of the choristers allowed the singers to discern the rhythms and patterns of their heart and sweat glands, which therefore permits compositions to incorporate the rhythms of the body into the final score as markers that trigger sonic events.

This choral composition was workshopped over a one-week residency at the LIVELab (McMaster University) with selected members of the Hamilton Children’s Choir, and facilitated by Hamilton Artists Inc. with support from the Canada Council for the Arts.

For more information

Hamilton Children's Choir
Daniel Àñez (Spanish biography)
Hamilton Artists' Inc
LIVElab
Canada Council for the Arts

Piano accompanist: Daniel Àñez
Hardware design: Martin Peach
Software design:Nicholas Asch, Patrice Coulombe, Erin Gee

New Work for Hamilton Children’s Choir

 

On June 25th 2016 I will be premiering new biosensor-driven work created especially for members of the Hamilton Children’s Choir.  This performance work will be presented in conjunction with my solo exhibition Vocales Digitales at Hamilton Artists Inc, thanks to the support of the Canada Council for the Arts.

The Hamilton Children’s Choir is a nationally competitive choir of youth  accompanied by pianist Daniel Añez.  Áñez is a renowned pianist in the musical milieu of Canada and Latin America, an active performer of contemporary and experimental music, a touring soloist, and a chamber musician.

This new work will allow me to explore a highly personal composition process with the choir, featuring the sonification of group empathy as seen through physiological markers of emotion such as heartrate, respiration and sweat release.

For more information

Hamilton Children’s Choir

Daniel Añez (Spanish Biography)

Hamilton Artists Inc

Canada Council for the Arts

 

 

Artist talk and Catalogue Launch for Vocales Digitales

I will be giving an artist talk on Saturday April 23rd at Hamilton Artists’ Inc. to support my solo exhibition Vocales Digitales.  The event will also feature a catalogue launch, featuring a bilingual publication that includes essays by philosopher Eric Lewis and curator Maiko Tanaka.

The next day on Sunday April 24th I will be giving an artists’ workshop that introduces the Teensy microcontroller through basic electronics and biosensors.

 

Vocales Digitales

Erin Gee
Vocales Digitales
March 26 – May 14

Opening Reception: Saturday, March 26, 2:00-4:00pm

Artist Talk and Catalogue Launch: April 23, 2:00pm
Biosensor/Arduino Workshop: April 24, 10 am (full day) $25 registration required
Original Performance with Daniel Àñez and the Hamilton Children’s Choir (June 25, 2016)

Hamilton Artists Inc. is pleased to present Vocales Digitales, a solo exhibition by new media artist and composer Erin Gee, featuring installations exploring the potentials of human voices in electronic bodies as well as electronic voices in human bodies. Based on a robust research practice, Gee draws from neuroaesthetics, a field that investigates the potentials of neurological and physiological data, as both the basis of, and inspiration for, her technologically complex installations. Turning the inside out, Gee culls data from physiological sources such as the human larynx as well as intangible sources such as human emotions, and transforms them into highly realized aesthetic and musical compositions. Using languages of notation, code, and data, Gee explores the flesh and experience of human bodies, seeking out poetic languages of machine visualization to return the quantitative once more into a space of aesthetics through the experience of music.

The exhibition is accompanied by a bilingual publication featuring essays by Maiko Tanaka and Eric Lewis. The catalogue launch will be accompanied by an artist talk and will take place April 23, at 2:00 pm. The catalogue can be downloaded HERE (4.5mb).