Erin Gee Tag

Erin Gee - Vocaloid Gig At Nocturne (X + 1)

Nocturne (x + 1)

Nocturne (x + 1) at Musée d’art contemporain de Montréal // February 20th, 2015. Reviews and interviews at Creator’s Project: Spend a Night at the Museum, Surrounded by Digital Art and BOOOOOOOM magazine.

“X+1 at Musée d’Art Contemporain de Montréal. For the next Nocturne du Mac (Friday February 20) :

X+1 unfurls the universe and aesthetics of net art and web culture. For this Nocturne evening, the walls of the circular architectural space of the Rotonde will be enlivened and filled with a profusion of images. Networking and exchange activities, along with many different creations by local and international artists, will merge together before being retranscribed in a unique, immersive, visual experience.

The originators of the project⎯Erin Gee, Benoit Palop, Sabrina Ratté and Tristan Stevens⎯have invited artists from their personal networks who, in turn, have each invited another artist, a method of selection that emphasizes URL social activities and the open source, exponential nature of creation in the Internet age: hence the designator X+1.

As part of this event, Sabrina Ratté and Roger Tellier-Craig will put on an audiovisual performance at 8 p.m., which will be followed by a performance by hybrid characters created by Erin Gee. Max D. (Deglazer) will move about the space and project his creations live throughout the evening.”

Participating artists:

Morehshin Allahyari, Anthony Antonellis, LaTurbo Avedon, Jeremy Bailey, Masha Batsea, John Boyle-Singfield, Brenna Murphy & Birch Cooper, Jennifer Chan, Max D. (Deglazer), M. Plummer Fernandez, Adam Ferriss, Carrie Gates, Émilie Gervais, Erin Gee, Claudia Hart, Anna Hawkins, Faith Holland, Zahid Jiwa, Alex M. Lee, Sara Ludy, Claudia Mate, Lorna Mills, Adriana Minolti, Sam Newell, Maryann Norman, Aoto Oouchi, Eva Papamargariti, Lorena Prain, Sabrina Ratté, Rafia Santana, Nicolas Sassoon, Tristan Stevens, Roger Tellier-Craig,  Josh Tonies, Reid Urban and Krist Wood.

View the Press Release

BodyRadio

(2011)

Four-part score for electronic voices in organic bodies debuted as part of New Adventure in Sound Art’s Deep Wireless Festival of Transmission Art, Toronto, Canada

Body Radio is a composition for four performers that reverses the interiority/exteriority of a radio, which is a human voice in an electronic body. Small wireless microphones are placed directly in the mouths of the performers, who are each facing a guitar amplifier. The performers control the sensitivity of both the amplifier’s receiving function and the microphone’s sending function in accordance with the score. The final sounds are a combination of inner mouth noises, breathing, and varying pitches feedback controlled by the opening and closing of mouths.

Erin Gee - Voice of Echo

Voice of Echo

(2011)

Works for video, audio, and digital images

Propelling the mythology of Narcissus and Echo into a science-fiction future, I translate Echo’s golem-like body into a digital environment.

What is the Voice of Echo?  It exists as a repetition – of what?  Of human voice, of Narcissus?  A voice that extends anothers’ voice, the activities of an environment, is it independent, does it vocalize at all?  The voice of Echo exists beyond its content, the repetitions, but how then to capture a voice devoid of content, devoid of sounding symbol?  The voice of Echo exists as a bouncing of processes, a distortion, a glitch, born of a love and desire uttered but never really communicated.  As artistic process I began by becoming Echo as image, in a video intended as love song for …Narcissus?  A camera?  A perverted gesture towards Echo’s self?

(Description continues below video)

Voice of Echo: Song of Love for Technological Eyes (2011) silent HD video for monitor playback, 18:01 (looped)  Photography by Kotama Bouabane.

Echo is in love with recording technology, particularly the video camera. The mirrors emanating from her throat are her concrete manifestations of her voice – the lovesong intended for the camera’s eye.

I took stills from this love song and translated the raw visual data into an audio editing program, choosing particular interpretation methods to “compose” the echo.  I bounced this data between photoshop and audacity multiple times, eventually coming at glitched sounds of data interpretation, as well as an accompanying distorted image for each “song”.  Echo may only traditionally exist as a re-utterance of Narcissus’ voice, but in this case her cyberfeminist reimagining points at perverse loops somewhere between love, repetition and becoming.