Biosynth Tag

Cluster Festival Winnipeg Canada

Cluster Festival: Winnipeg’s most dynamic take on contemporary art and sound.

Cluster X : Feb. 28 – Mar. 3, 2019

Great news: I’m going to Winnipeg for the first time!  As a proud Canadian hailing from the prairie provinces, I have always wanted to get to know the experimental art and music scene in Winnipeg. I’m going to be at the 10th edition of Cluster Festival, featured almost every day all weekend! Whether it is a talk on my practice, a public discussion about diversity in music with an amazing bunch of musicians and composers, the Canadian debut of my newest biohardware installation Pinch and Soothe (2019), or a new performance version of Machine Unlearning (2019-20) where I will sweetly whisper an unraveling version of Emily Brontë’s Wuthering Heights into your wireless headphone-d ears as a means of giving you neural stimulation, I’ll be there! For more information  www.clusterfestival.com

Cluster Festival X 2019 Promo from Cluster Festival on Vimeo.

CLUSTER 2019 ARTISTS

Andrea Robers • Beast Nest • Davis Plett • Erin Gee • Eliot Britton • Luke Nickel • Grace Hrabi • Hong Kong Exile • Kristen Wachniak • Maksym Chupov-Ryabtsev • Matt Poon • Mirror Frame • Natalie Tin Yin Gan • Remy Siu • Sharmi Basu • Susan Britton •TAK • Vicky Chow • William Kuo • XIE

KidzLab Montreal

KIDZLAB September 28-29 2017

Perte de Signal is happy to announce the launch of its first edition of KidZlab, a 4-day digital arts festival for young creators: “Un laboratoire d’innovation pour l’imaginaire.”

For this first edition of KidZlab, I presented a workshop entitled “Strange Theremin” – teaching teams of young people to work in groups to assemble a circuit that allows them to manipulate musical tones with their skin conductance.  This new musical instrument allows students to explore touch, sweat, and emotional engagement as a potential musical material.

Here’s what my young students had to say:

 

The event also featured very interesting workshops by artists:

Eric Cariat (BE) – Stephanie Castonguay – Maxime Damecour – Erin Gee – Alice Jarry – Roby Provost-Blanchard – Alexandre Quessy

at Perte de Signal 5445 De Gaspé – Espace 107 (RDC) Montréal.

With thanks to:

Conseil des arts et des lettres du Québec
Wallonie-Bruxelles International
KIKK Festival 2017
Les Journées de la culture
Le Fab Lab du PEC

For more information (in French):
https://perte-de-signal.org/kidzlab-festival-dart-numerique-pour-le-jeune-public/

KidZlab Laboratoire d’innovation pour l’imaginaire from PERTE DE SIGNAL on Vimeo.

MediaLive Festival 2017

Happy to announce that I will be presenting a new version of my “BioSynth” at the MediaLive festival (Boulder Museum of Contemporary Art) in May.  This year’s festival features an amazing group of artists, gathering under the theme THE VOID.  For this upcoming performance I will be moving towards a more sophisticated sonic treatment of the physiological signals, and returning to the ideas of “choir” and “vocality” of emotion that I began with my earlier work “Song of Seven: BioChoir” with the Hamilton Children’s Choir.

BioSolo

BioSolo 2016
Photography: Wren Noble

2016

Using the BioSynth, I improvised a set for my breath/voice and my sonified heart and sweat release at No Hay Banda in an evening that also featured the very interesting work of composer Vinko Globokar (Russia).

The improvisation is very sparing, the goal is to exploit interesting rhythmic moments between heavy breath-song and the heartbeat, all the while exploring limits of respiratory activity and seeing what effect it has on my physiology.

Exhibition/Performance history

BioSolo was first performed at No Hay Banda series in Montreal at La Sala Rossa, organized by Daniel Àñez and Noam Bierstone.

Gallery

BioSolo 2016
Photography: Wren Noble

Song of Seven

Song of Seven (2016)

2016

A composition for children’s choir featuring seven voices and seven sets of biodata with piano accompaniment.

In this song, young performers contemplate an emotional time in their lives, and recount this memory as an improvised vocal solo.The choir is instructed to enter into a meditative state during these emotional solos, deeply listening to the tale and empathizing with the soloist, using imagination to recreate the scene.  Choir members are attached to a musical instrument I call the BioSynth a small synthesizer that sonifies heartbeats and sweat release for each individual member to pre-programmed tones. Sweat release, often acknowledged as a robust measure of emotional engagement, is signaled by overtones that appear and reappear over a drone; meanwhile the heartbeats of each chorister are sounded according to blood flow, providing a light percussion.

The musical score combines traditional music notation with vocal games and rhythms determined not necessarily by the conductor or score but by beatings of the heart and bursts of sweat. Discreet flashing lights on the synthesizer boxes in front of the choristers allowed the singers to discern the rhythms and patterns of their heart and sweat glands, which therefore permits compositions to incorporate the rhythms of the body into the final score as markers that trigger sonic events.

Credits

Piano accompanist: Daniel Àñez

Hardware design: Martin Peach

Software design: Erin Gee

Performance history

This choral composition was workshopped over a one-week residency at the LIVELab (McMaster University) with selected members of the Hamilton Children’s Choir, and facilitated by Hamilton Artists Inc. with support from the Canada Council for the Arts.

Links

Hamilton Children's Choir
Daniel Àñez (Spanish biography)
Hamilton Artists' Inc
LIVElab
Canada Council for the Arts

Video

Song of Seven (2016)

Scores

Song of Seven (2016)

Gallery

Song of Seven (2016)