BodyRadio

(2011)

Four-part score for electronic voices in organic bodies debuted as part of New Adventure in Sound Art’s Deep Wireless Festival of Transmission Art, Toronto, Canada

Body Radio is a composition for four performers that reverses the interiority/exteriority of a radio, which is a human voice in an electronic body. Small wireless microphones are placed directly in the mouths of the performers, who are each facing a guitar amplifier. The performers control the sensitivity of both the amplifier’s receiving function and the microphone’s sending function in accordance with the score. The final sounds are a combination of inner mouth noises, breathing, and varying pitches feedback controlled by the opening and closing of mouths.

Erin Gee - Voice of Echo

Voice of Echo

(2011)

Works for video, audio, and digital images

Propelling the mythology of Narcissus and Echo into a science-fiction future, I translate Echo’s golem-like body into a digital environment.

What is the Voice of Echo?  It exists as a repetition – of what?  Of human voice, of Narcissus?  A voice that extends anothers’ voice, the activities of an environment, is it independent, does it vocalize at all?  The voice of Echo exists beyond its content, the repetitions, but how then to capture a voice devoid of content, devoid of sounding symbol?  The voice of Echo exists as a bouncing of processes, a distortion, a glitch, born of a love and desire uttered but never really communicated.  As artistic process I began by becoming Echo as image, in a video intended as love song for …Narcissus?  A camera?  A perverted gesture towards Echo’s self?

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Voice of Echo: Song of Love for Technological Eyes (2011) silent HD video for monitor playback, 18:01 (looped)  Photography by Kotama Bouabane.

Echo is in love with recording technology, particularly the video camera. The mirrors emanating from her throat are her concrete manifestations of her voice – the lovesong intended for the camera’s eye.

I took stills from this love song and translated the raw visual data into an audio editing program, choosing particular interpretation methods to “compose” the echo.  I bounced this data between photoshop and audacity multiple times, eventually coming at glitched sounds of data interpretation, as well as an accompanying distorted image for each “song”.  Echo may only traditionally exist as a re-utterance of Narcissus’ voice, but in this case her cyberfeminist reimagining points at perverse loops somewhere between love, repetition and becoming.

Erin Gee - 2plus2: Prologue

2plus2: Prologue

(2009)

Performed September 9th, 2009 at Prince Albert, SK.

2plus2 is a collaborative work inspired by the 1967 painting of the same title by Douglas Morton, with musical composition by myself and choreography by Robin Poitras. A goal in my composition was to marry volume and weight with the lively colour and joy embodied in Morton’s work, using such reference points as jazz music, as well as the sonic similarities between vintage sci-fi and nature documentary films. The final work is an exploration of opposite forces, partnering, and twinned bodies, exploring the evolution of a species, learned behavior, community, and time.

This short prologue was premiered in September 2009 as part of CrossHatch: Dance and the Arts in three Saskatchewan cities.

NEED VIDEO

2plus2: Prologue, 2009. In collaboration with choreographer Robin Poitras. Trumpet samples courtesy of Mihai Sorohan.

The prologue for 2plus2 was premiered in September 2009 as part of CrossHatch: Dance and the Arts in three Saskatchewan cities. Poitras and I will continue in 2010 to complete the project with a larger work for two dancers.

Erin Gee - Formants - Image courtesy of InterAccess Gallery

Formants

(2008)

Fiberglass, plexiglas, hair, copper, wood, electronics

20” x 49” x 27.5”

Formants is an interactive audio sculpture featuring the heads of two female figures that sing when their hair is brushed: a musing on desire, vanity, absent bodies, morality, intimacy and touch.

Credits

  • (version 1) Pure Data Programming: Michael Brooks
  • (version 2) Electronics technician and programmer: Martin Peach
  • Vocalists: Lynn Channing and Christina Willatt
  • Made with the support of Soil Digital Media Suite