Interviews

William Basinski @ Pop Montreal

September 15th, 2017 – 17h POP Box (3450 St Urbain, Montreal)

In the context of this year’s Pop Montreal Festival Symposium, I have been invited to engage in a public conversation with avant-garde composer William Basinski .

Click here for more information on the Pop Symposium, taking place September 14-17, 2017.

Creator of the widely acclaimed album set Disintegration Loops (2002), Basinski is an intuitive composer of ambient electronic music who works work magnetic tape loops to access dreamlike acoustic spaces.  He once described himself as investing incredible amounts of meditative energy towards improvisation and locating the “timeless, amniotic bubble” of sound one could float within. A bubble is an apt metaphor for these sounds: expansive, swirling voids that physically emanate from thin slips of magnetic tape.

Among other topics, I’m looking forward to this opportunity to speak with Basinski about the physicality of sound, both in the sound producing bodies (the magnetic devices he charms into circles and feedback-song) and the receptive media bodies (us leaky humans).

Take a listen below to Basinski’s soundcloud account in order to experience his processes in tape loop and delay systems, found sounds, feedback, and shortwave radio static.

Musicworks #126 Interview

Click here to read my interview with Alex Varty.  “ERIN GEE SINGS THE BODY ELECTRONIC”

Fresh on the heels of my return from the premiere of Echo Grey in Vancouver (my newest composition for vocal quartet, feedback soloist and tape), I find I’ve received my physical copy of Musicworks, which is a triannually released publication featuring experimental sounds from across Canada.

Amidst a really massive transition phase right now, I find that teaching full time has really changed what I can do as an artist.  Pushing myself to learn entirely new skillsets in organization and pedagogical performance (sidenote: yes, everything is a performance) has left me with little time or energy to invest in building new technologies.

Music composition has been something that I can invest time into, as all I need is a few moments, a microphone, my laptop, a notepad with pencil scribbles, my imagination.

This interview with Musicworks magazine was very interesting for me, as recently my opportunities have been coming from music composition.  The whole issue is actually very interesting, with a full feature on music and sound revolution in VR spaces, as well as some features on other very energetic and productive electroacoustic artists.

Musicworks #126 is available now with a special curated cd of sounds included in the physical magazine.  On this CD you can find a track from my Voice of Echo (2011) series.