Artist Talks

William Basinski @ Pop Montreal

September 15th, 2017 – 17h POP Box (3450 St Urbain, Montreal)

In the context of this year’s Pop Montreal Festival Symposium, I have been invited to engage in a public conversation with avant-garde composer William Basinski .

Click here for more information on the Pop Symposium, taking place September 14-17, 2017.

Creator of the widely acclaimed album set Disintegration Loops (2002), Basinski is an intuitive composer of ambient electronic music who works work magnetic tape loops to access dreamlike acoustic spaces.  He once described himself as investing incredible amounts of meditative energy towards improvisation and locating the “timeless, amniotic bubble” of sound one could float within. A bubble is an apt metaphor for these sounds: expansive, swirling voids that physically emanate from thin slips of magnetic tape.

Among other topics, I’m looking forward to this opportunity to speak with Basinski about the physicality of sound, both in the sound producing bodies (the magnetic devices he charms into circles and feedback-song) and the receptive media bodies (us leaky humans).

Take a listen below to Basinski’s soundcloud account in order to experience his processes in tape loop and delay systems, found sounds, feedback, and shortwave radio static.

Monthly Music Hackathon NYC

 Check out this article for “I Care If You Listen” with interviews with the presenters! (including me)
https://www.icareifyoulisten.com/2016/04/gender-music/

Gender in Music Hackathon

Explore the role of gender in music.

Saturday, April 30th, 2016
Noon to 10:00 PM

45 W 18th St, 7th Floor
New York, NY 10011

Free
All are welcome
RSVP

Schedule

11:30 AM – Doors open
12:00 PM – Talks and performances:
– Feminist activist & MIA drummer Kiran Gandhi
NYU Women in Computing on adjective analysis & gender portrayals in lyrics
Banghra Basement’s DJ Rheka
– New media artist D’hana Perry
– Biotechnological sound artist Erin Gee
1:00 PM – Hacking Starts, optional brainstorming & collaborator-finding session
8:00 PM – Performances and demonstrations of hacks

Artist talk and Catalogue Launch for Vocales Digitales

I will be giving an artist talk on Saturday April 23rd at Hamilton Artists’ Inc. to support my solo exhibition Vocales Digitales.  The event will also feature a catalogue launch, featuring a bilingual publication that includes essays by philosopher Eric Lewis and curator Maiko Tanaka.

The next day on Sunday April 24th I will be giving an artists’ workshop that introduces the Teensy microcontroller through basic electronics and biosensors.

 

Conversations in Contemporary Art

Conversations in Contemporary Art Presents Erin Gee: Concordia University, Montreal

Thursday, February 11, 2016, 6pm

Le jeudi 11 fevrier à 18h00

Concordia University Fine Arts
VA Building 114
1395 René Lévesque Blvd West, Montreal
L’université de Concordia, 1395 René Lévesque Ouest, Montréal

http://goo.gl/maps/L9uSV

www.finearts.concordia.ca

Admission for all Conversations in Contemporary Art events is FREE and open to the general public. Seating is first come, first serve. Doors open at 5:30 p.m. The lectures will be held in English.

Tous les événements du programme Conversation in Contemporary Art sont gratuits et ouverts au public. Les sièges sont assignés selon le principe du premier arrivé, premier servi. Les portes ouvrent à 17h30. Les conférences se dérouleront en anglais.

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ERIN GEE is a Montreal-based artist and composer who explores human voices in electronic bodies, re-locating boundaries of musical form through technological interfaces. Her work in emotion-driven musical robotics, algorithmic music performance, interactive sonic sculpture/scores and digitally-inspired musical compositions have been recently presented at device_art festival, Croatia (2015), University of Toronto Art Center (2015), Trinity Square Video, Toronto (2015), Musée d’art contemporain de Montreal (2015), and Cirque du Soleil International Headquarters, Montreal (2014). Her work has been reviewed in Scientific American, VICE, National Post, and La Presse. Gee is currently teaching in the Communications department of Concordia University on topics of sound, gender and technology.
“There are layers of interrelation that all humans have, where we are objectified, reduced to our utility, treated as objects rather than subjects, reacting to and acting through a subject or group of people more powerful than we are. I want to make work that tries to bridge the gap, to create musical systems and worlds where the subject tries to learn the language of the object, to assume that the thing we assumed to be an object in fact has a voice, and it is important to listen.”

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Artiste et compositrice établie à Montréal, Erin Gee explore les voix humaines des corps électroniques, repoussant les frontières de la musique au moyen d’interfaces technologiques. Ses œuvres – robots musicaux mus par les émotions, performance musicale algorithmique, sculptures ou partitions soniques interactives ainsi que compositions d’inspiration numérique – ont récemment été présentées en Croatie, au Festival Device_art (2015), à Toronto, au Centre d’art de l’Université de Toronto (2015) et au centre Trinity Square Video (2015), et à Montréal, au Musée d’art contemporain (2015) et au siège social international du Cirque du Soleil (2014). Son travail a fait l’objet d’articles dans Scientific American, VICE, National Post et La Presse. Par ailleurs, son enseignement au Département de communication de l’Université Concordia touche au son, au genre et à la technologie.

« Tous les humains entretiennent diverses relations réciproques selon lesquelles ils sont réduits à leur plus simple utilité. Traités comme des objets, plutôt que des sujets, ils agissent par l’intermédiaire d’un individu ou d’un groupe plus puissant qu’ils ne le sont et y réagissent. Je m’efforce dans mon œuvre de combler ce fossé en créant des systèmes et des mondes musicaux où le sujet tente d’apprendre le langage de l’objet. En effet, je crois que ce que nous supposons être un objet possède en fait une voix qu’il est important d’écouter. »
About the event: Conversations in Contemporary Art is a visiting artist lecture series and graduate-level course sponsored by Concordia’s Studio Arts MFA Program. CICA provides a unique opportunity to hear distinguished artists, critics, writers and curators from the Canadian and international community speak about their practices.